Clifton Suspension Bridge over the Avon Gorge, Bristol, in low autumn sunlight

Film Crew Hire in Bristol

Film crews and production services
for Bristol shoots.

DOPs, camera operators, sound recordists and whole units for shoots from the Harbourside to The Bottle Yard. We have 2,800+ freelance crew on our books across the UK, 150+ of them in and around Bristol and Bath, and we scale the crew to the shoot.


500+

Productions

2,800+

Freelance crew on our books, across the UK

£10m

Employers’ liability on every crew member

54

Five-star Google reviews

We’re Here Now Films.Crew for Bristol shoots, from a team that makes films here too.

Agencies, production companies and brands book our crews, and so do teams flying in from the US and Europe. Our own films here include Xanadoo’s concept film at The Forge and H&M’s Bristol store reopening, and for clients in the city we’ve made a recruitment film for Rise and Great Western Credit Union’s bond film. A Bristol day might be a quayside at Princes Wharf, a university building in Clifton, a stage at The Bottle Yard or the SS Great Britain’s dining saloon, and our producers know who has to say yes to each, from Bristol Film Office to the Clifton Suspension Bridge Trust. If you need the film made as well as shot, that’s our video production in Bristol.

Play the behind-the-scenes film: our DOP shooting on a clifftop for Cohere
Behind the scenes on AI for Empowerment, the Cohere campaign we produced on 35mm in four countries: Canada, Norway, the UK, and Portugal.

Day rates, paid in full

Every crew member is paid their full day rate. Our booking fee and insurance go on your side of the quote, not theirs.

One operator or a full unit

A single camera operator, a two-person interview crew, or the whole unit, from a shop floor on Gloucester Road to a stage at The Bottle Yard.

Local crew first

When a shoot needs more hands, or a role Bristol is short of that week, we bring crew in from across the South West, Cardiff or London, with the travel on the quote before anything is booked.

Briefs read within 2 working hours

Our team reads every brief within 2 working hours, then comes back with names and the full price, line by line.

A camera operator in the crew van, rigged cinema camera pointed straight down the lens.

Book a crew in Bristol.

Tell us the date, the address or the venue in Bristol or Bath, and who you need. Our team reads every brief within 2 working hours. Or call us on 07412 543822.

Clutch 2026: Top Filming Company, UK

Quick contact form

What are you looking for?

Anything from one camera operator for a day to a campaign shot in four countries. Pick the one that fits and we’ll take you to it.

A Here Now Films camera operator on set, smiling, with the camera rig on his shoulders

Crew only

You run the shoot; we supply the people. Camera operators, DOPs, sound recordists and gaffers, each paid their full day rate.

A car with a camera rig strapped to its side, driving down a dusty track

Shooting from abroad

Flying in from the US or Europe? Your contract is with us, a UK company, and there’s one invoice, so you don’t need a UK company of your own.

A crew rigging lights and camera around a smoking aircraft wreck on a film set

Crew & production support

Crew plus the work around them: locations and recces, Bristol Film Office permits, kit, vans and hotels. We act as your fixer or production service company on the ground.

A frame from Cohere’s AI for Empowerment campaign: a woman on a misty hillside

Creative video production

You want the film made as well as shot. We’re a video production company first, working with you from the first idea and the concept through to delivery.

A frame from Cohere’s AI for Empowerment campaign: a car with surfboards above the Atlantic coast in Portugal

Global production

Several cities or several countries, run as one production. We produced Cohere’s AI for Empowerment campaign on 35mm in Canada, Norway, the UK, and Portugal.

The crew

Every role on a Bristol shoot. Twenty-four of them, each with its own page.

From the director and producer who run the day to the editor who cuts it. Every role has a page: what they do, a Bristol day with them, what the day rate covers, how it sits against the APA/Bectu card, and how to book them. Book one person, or the whole call sheet on one quote.

Production 06 Camera 07 Data and playback 02 Lighting and grip 03 Sound 01 Hair, make-up and costume 02 Art department 02 Post-production 01

Crew in hi-vis hauling a kit cart up a grassy cliff path

06 roles

Production

Run the day, the schedule and the people.

A camera crew around a 35mm film camera, one on the eyepiece, one at the lens

07 roles

Camera

Light it, frame it, focus it, fly it.

Crew silhouetted at sunset around a director’s monitor on a stand by the sea

02 roles

Data and playback

Keep the pictures safe, and on every monitor.

Two large tungsten film lights rigged on a cherry picker at night

03 roles

Lighting and grip

Light the set, power it, move the camera.

A sound recordist with a boom over a surfer sitting in the back of a van

01 role

Sound

Every word, clean.

A make-up artist powders a man’s cheek before he goes in front of the camera

02 roles

Hair, make-up and costume

Everyone on camera looking right, all day.

A dressed period interior with a camera on a dolly in the middle of the room

02 roles

Art department

Everything in the frame that isn’t a person or a light.

An editor in headphones at a monitor in a dark edit suite

01 role

Post-production

From the rushes to the finished film.

Not sure who you need? Send the brief and we’ll build the crew, every role on its own line of the quote.

We also crew script supervisors, autocue operators and stills photographers. How our rates work · What each crew role does · Photos: Here Now Films, Rendy Novantino, hessam nabavi and Mark Cruz; Clifton Suspension Bridge, at the top of the page, by Jarred Kyle on Unsplash

Rates and set-ups

Crew rates in Bristol.The benchmark, our rate, and what goes on top.

We price every role against the APA/Bectu card: the rates the APA agrees with Bectu for commercials, and the clearest benchmark the industry has. Each role’s page sets our day rate against it, and that rate goes to the crew member in full. On top go our 10% booking fee and 2% insurance, on everything we book for you, kit included. Bristol adds a few lines of its own, each shown separately: a parking suspension at £22 plus VAT a vehicle for a day in a pay and display bay, the Bristol Film Office street permit, and, because Bristol’s Clean Air Zone is Class D, £9 a day for an older car as well as an older van (checked October 2026). If we take the production on, it’s quoted as a production instead.

Two ways to book

One question sets the price: who’s the producer of record?

Crew hire

You run the shoot.

10% + 2% booking fee and insurance, on everything we book for you: crew, kit and travel.

We do

  • Find, book and brief the crew, and pay them
  • Book kit, travel and hotels too, if you want them
  • Send the full price before anything is booked
  • One person to call all day
  • Employers’ liability for the crew we book, and insurance on kit we hire in

You do

  • Run the shoot, or your producer does
  • The plan, the schedule and the call sheet
  • The location, its permission and its public liability
  • Responsibility for the production: you’re the producer of record

What the 2% insures: employers’ liability for every crew member we book, and the kit we hire in for you. Nothing else on the shoot. A large kit rental may need extra insurance, as its own line on the quote.

Full production

We’re the producer of record.

15% + 5% production fee, plus insurance and contingency, on the whole production budget. Quoted as a production.

We do

  • Our producer plans it with you and runs the day
  • Locations, permits, kit, studio, travel and hotels, booked and paid in our name
  • Insurance for the whole shoot, public liability included, plus the risk assessment and the call sheet
  • One contract and one invoice, so overseas teams need no UK company

You do

  • The creative calls
  • Signing off the plan and the budget

What the 5% pays for: our production insurance across the whole shoot, £10m public liability included, and the contingency.

Not sure which you need? If your own producer or director will run the day, it’s crew hire. If you want us to take the production on, it’s a full production quote. VAT on top of both. 50% by card when you book, 50% on receipt of the final rushes.

Worked example. Crew hire: a DOP and a sound recordist for one day £1,568 + VAT
DOP, day rate£850
Sound recordist, day rate£550
Booking fee, 10%£140
Insurance, 2%£28
KitTheir own, or hired in at the same 10% + 2%
Total£1,568 + VAT
Worked example. Full production: the same two and our producer, before kit £2,220 + VAT
DOP, day rate£850
Sound recordist, day rate£550
Our producer, day rate£450
KitAt cost, under the same 15% + 5%: a two-camera interview kit is from £765 a day
Production fee, 15%£277.50
Insurance and contingency, 5%£92.50
Total, before kit£2,220 + VAT

Every day rate is for an 11-hour day including lunch, with overtime at card rates, agreed with you before it happens. The card is the APA/Bectu commercials rates from 1 September 2026, fixed until at least August 2027. Each role’s rate is in the crew above, and set against the card on its own page.

Common set-ups

Three common crews, priced live for one 11-hour day. The crew total includes our booking fee and insurance; each piece of kit is its own line, plus the same 10% + 2%. Parking, the Clean Air Zone charge and travel go on the quote as their own lines. Photos: Here Now Films and Johannes Blenke.

Premium interview set-up Interviews, testimonials, customer stories and B-roll Crew from £3,792.32 + VAT
A multi-camera interview set: three guests in armchairs, cameras and a monitor in the foreground

Crew

£3,792.32 + VAT, with our booking fee and insurance.

Kit

  • Two-camera interview kit: Sony FX6 or similar, cine lenses, LED lights and tripods from £765 a day
  • Gaffer van from £600 a day
  • Grip package from £1,320 a day

Plus the same 10% + 2%. Sound kit, travel and parking are their own lines.

Book this set-up

Low-footprint interview set-up For shoots that need a small team Crew from £2,072 + VAT
A camera operator with a cinema camera filming an older woman being interviewed

Crew

£2,072 + VAT, with our booking fee and insurance.

Kit

  • Two-camera interview kit: Sony FX6 or similar, cine lenses, LED lights and tripods from £765 a day

Plus the same 10% + 2%. Sound kit, travel and parking are their own lines.

Book this set-up

A unit around your DOP or director You bring the DOP or director; we crew the rest Crew from £2,764.16 + VAT
A camera operator filming runners on a hillside

Crew

£2,764.16 + VAT, with our booking fee and insurance.

Kit

  • Gaffer van from £600 a day
  • Grip package from £1,320 a day

Plus the same 10% + 2%. Sound kit, travel and parking are their own lines.

Book this set-up

Something else?

Any role, any size. Send the brief and we’ll come back with names and the full price, line by line.

Send the brief

Services

Everything around the crew.Kit, places, permits and the rest.

Most bookings need more than people. We sort these with the crew, and each one gets its own line on the quote. If you’d rather sort them yourself, each one has its own Bristol guide: who says yes, what it costs, and how much notice it wants. The permits are also summarised just below.

A cinema camera balanced on a gimbal, with lights behind

01

Kit rental

Wet hire with the crew’s own kit, which often comes in cheaper, or dry hire from the kit houses: Films at 59 Rental in Clifton and at The Bottle Yard, VI Rental and Grip Services at The Bottle Yard, and Floating Harbour Studios on Welsh Back. VMI closed its Bristol branch in September 2025; some specialist kit comes down from London.

Film equipment hire in Bristol

Cliftonwood’s brightly painted houses on the hill above Bristol’s harbour

02

Locations and permits

Bristol Film Office for streets, parks and the harbourside, from £84 plus VAT for up to ten crew on a street; Bath Film Office for Bath; the Clifton Suspension Bridge Trust for the bridge; Network Rail for Temple Meads. All checked October 2026.

Filming in Bristol: locations and permits

A camera team checking a shot on a sound stage, a timber set build and a lighting truss behind them

03

Studios and set builds

The Bottle Yard Studios in Whitchurch, the largest film and TV studio in the West of England, has 11 stages across two sites, the biggest 21,700 sq ft, plus a 5,000 sq ft green screen studio (checked October 2026). For interviews and product days, Floating Harbour Studios has a black box on a Dutch barge on Welsh Back, and Qu Studios in Bedminster a white infinity cove. Set builds go on the quote with the crew.

Film studios in Bristol

A woman in a denim jacket looking through rails of clothes in a dim wardrobe store, hats on glass shelves above

04

Props and wardrobe

Bristol Costume Services at The Bottle Yard holds over 90,000 period and contemporary costumes, Bristol Dockyards hires out theatrical props, and our stylists and hair and make-up artists run them on the day. Real or replica weapons go on the Film Office application, with police guidance before anything is staged.

Props and wardrobe for Bristol shoots

The curved iron and glass train shed at Bristol Temple Meads station, with a departures board in the foreground

05

Logistics

Parking bays suspended at £22 a vehicle for a day, the Clean Air Zone at £9 a day for an older car or van, unit bases at Ashton Court and on the Harbourside, kit vans, and crew off the train at Temple Meads, 1 hour 19 minutes from Paddington. All checked October 2026.

Shoot logistics in Bristol

Three portable SSDs on a round marble table, one plugged in by a cable

06

DIT and data

Cards checked and copied on set, and the rushes handed over at wrap, uploaded, sent to our edit, or screened at Watershed, whose Industry Services run rushes screenings every day. A Sony FX6 shooting 4K at 25p can write up to about 112 GB an hour, so the drives are sized to the day.

DIT and data for Bristol shoots

One quote covers the lot, line by line. Or call us on 07412 543822.

Permits, parking and drones

Filming in Bristol: permits, parking and drones

Filming on council land in Bristol goes through Bristol Film Office, part of Bristol City Council and based at The Bottle Yard Studios. It covers the city only: Bath and North East Somerset and North Somerset have film offices of their own, and South Gloucestershire Council handles filming on its land. On a full production we apply for all of it; on a crew hire it’s yours, and we’ll tell you who to ask.

Who says yes

Bristol Film Office for streets, parks, the harbourside and council buildings, through FilmApp: its locations include The Downs, Redcliffe Caves, St Nicholas Market, City Hall and the council’s museums. Bath Film Office for Bath, the Clifton Suspension Bridge Trust for the bridge, Network Rail for Temple Meads, and the owner for anything private, from Bristol Dockyards to the University of Bristol.

What the permits cost

Bristol’s 2026–27 street filming permit is £84 for a crew of up to ten and £163 for 11 to 40; parks, green spaces and the harbourside are £178 for up to ten, all plus VAT (checked October 2026). Larger crews and council interiors, from City Hall to Redcliffe Caves, are by negotiation. News, students and charities making their own films pay no fee, and the Film Office sends a cost sheet once the application is complete.

Insurance and the rules on the day

Bristol Film Office asks for at least £5m public liability and a full risk assessment with every application. A first aider stays on set, hi-vis goes on for the highway, and cables are flown 2.6 metres over footways and 5.2 metres over roads, or matted. Night shoots need the go-ahead from the Film Office and Avon and Somerset Police first, and drones, children, animals, weapons, stunts and rain machines all have to be declared.

Bath

Bath Film Office belongs to Bath & North East Somerset Council and calls itself one of the longest established in the country. Its 2026–27 highway permit is £90 for up to ten crew and a park £138, plus VAT and non-refundable; it wants a letter drop at least seven days before the first day, tells the police about every permit application, and treats 22:00 to 08:00 as unsociable hours (checked October 2026). Filming along the Royal Crescent goes through it too.

How much notice Bristol Film Office wants

What you needNotice
A filming permit on council landAt least 7 days
Letters to neighbours and businesses7 days before filming
A parking suspension3 working days
Coning on yellow linesAt least 3 working days
Stop/Go traffic control, up to 5 minutes a hold7 days
Temporary traffic lights7 days
A pavement or footpath closure7 days
A road closure of up to two days2 weeks, £721 plus VAT
A road closure of three days or moreUsually 8 to 10 weeks
A drone take-off on council landAt least 7 days
Bristol Film Office’s lead times, checked October 2026. Sources: Code of Practice, road closures and parking suspensions.

Parking and the Clean Air Zones

Bays are suspended by the council’s parking services, with a purchase order for the full cost before approval: £22 plus VAT a vehicle for one day in a pay and display bay, or £15 a bay a day plus a £30 coning fee over several days, with three working days’ notice. Unit bases at Ashton Court’s Church Lodge car park and Redcliffe Wharf are £600 a day. Bristol’s Clean Air Zone is Class D, so it charges cars as well as vans, around the clock: £9 a day for a car or van below Euro 6 diesel or Euro 4 petrol, £100 for an HGV or coach (checked October 2026). It’s paid on GOV.UK, up to six days before or up to six days after; miss it and the penalty is £120 plus the charge, or £60 plus the charge within 14 days. Bath’s zone is Class C and doesn’t charge private cars.

Drones and the bridge

A take-off or landing on Bristol council land needs a Film Office permit, from £245 a day, with seven days’ notice, a risk assessment and method statement, £5m public liability and the pilot’s A2 CofC or GVC (checked October 2026). City centre flights are considered only early on Sunday mornings, and nothing takes off from a road without a road closure, sub-250g drones included. At Clifton Suspension Bridge, drones of 250g or more stay 50 metres away. Around Bristol Airport, check the flight restriction zone on the NATS Drone Assist app, as the airport asks: inside an airport’s zone, up to 2,000 feet, you need air traffic control’s permission. Bristol Film Office on drones

The harbour

City Docks and the Harbourside are council locations, permitted through Bristol Film Office: £178 plus VAT for a crew of up to ten (checked October 2026). Princes Wharf, home of M Shed and its four Grade II listed cargo cranes, has stood in for 1950s Cobh in Stan & Ollie and 1940s Guernsey in The Guernsey Literary and Potato Peel Pie Society. Swimming in the Floating Harbour needs special permission, work on or in the water can carry extra charges, and the unit bases at the Amphitheatre and Waterfront Square are £600 to £820 a day. Bristol Film Office permissions

Clifton Suspension Bridge

The bridge belongs to the Clifton Suspension Bridge Trust, not the council. Handheld cameras are welcome; a tripod needs a word with a Bridge Attendant on arrival and a Filming Indemnity Form. Commercial filming is agreed case by case with the Bridge Master, with charges on request, closing the bridge to the public costs extra, and drone filming needs Film Office permission as well (checked October 2026). The Trust on photography and drones

Temple Meads

Bristol Temple Meads is a Network Rail managed station: corporate and commercial filming is £750 an hour for up to ten crew, two hours minimum, plus VAT, on weekdays 10:00 to 16:00 or 20:00 to 06:30, with up to £10m public liability (checked October 2026). Less than five working days’ notice adds £500, and a shoot can’t run into the peak hours. The station is Grade I listed, with a £95m refurbishment under way. Network Rail filming fees

Sources

Every figure here was checked October 2026, with Bristol Film Office (its 2026–27 schedule of charges, Code of Practice, and its pages on road closures, parking suspensions and drones), Bath Film Office’s 2026–27 fees, GOV.UK and Bristol City Council on the Clean Air Zones, the Clifton Suspension Bridge Trust, Network Rail and the CAA. Fees change, so we confirm them on every quote.

How it works

How a booking works

You send one brief. We come back with names, the full price and the notice Bristol Film Office or your location needs, before anything is booked.

2 hrs

for our team to read your brief, in working hours

100%

of each crew member’s day rate goes to them. Our booking fee and insurance sit on your side of the quote.

Send the brief

Date, the address or the venue, who you need, any kit.

We send names

Who’s free, the full price line by line, and the permits the date needs.

Confirm

Book the crew. We take 50% upfront by card, and the other 50% when you receive the final rushes.

Call sheet

Times, address, parking and the Clean Air Zone, the nearest station, and contacts.

Shoot

One person at our end answers all day, on set or on the phone.

Who books us

From global shoots to single crew, one day.

Four kinds of client book our crews, from agencies in Paris and New York to in-house teams in their own offices. They all get crew picked for the job, and one person at our end who answers all day. Brands book the whole film. For Bristol clients that’s been Great Western Credit Union’s bond film, which we made at cost for its first community bond offer, which closed above £1.9 million, and Rise Technical Recruitment’s film to bring in new recruiters, shot at the firm’s Bristol office.

  • AgenciesWhite-label. The crew turn up as your crew, under your name. WordAppeal in Paris has booked two interview days with us in London.
  • Production companiesUS teams fly in their director and DP and book the rest of the unit through us, as one did for four days in the City of London and Uxbridge.
  • In-house teamsYour team keeps the format and the edit; we bring the plan, the crew and the kit. For The Athletic’s Truth or Padel we planned eight cameras round a padel court, from the pilot in Alderley Edge, Cheshire.
  • One person, one dayA normal booking for us. There’s no minimum crew.

Whichever you are, it starts the same way: send us the brief

A camera operator beside a 35mm film camera on a clifftop, the director at his shoulder

From abroad

Shooting in Bristol from abroad.No UK company needed.

Production companies and agencies from the US and Europe book their UK crews through us, and a Bristol shoot works the same way. Your contract is with us, a UK company: we contract and pay the UK crew, sort the Bristol Film Office permits, and you get one invoice.

A crew filming in a pine forest filled with smoke
On set in Canada for Cohere’s AI for Empowerment, one of the four countries we shot it in on 35mm.

Booked from abroad

The US

The City of London, Uxbridge

A US production company · Four days of customer stories, September 2025: a law firm’s office on Cannon Street, then an office in Uxbridge. We crewed and produced it around their director: producer, gaffer, 1st AC, sound, HMU, grip, swing, playback and stills, and came in £498 under budget.

Paris

Wimbledon, London

WordAppeal · International Women’s Day interviews at a European gaming group’s London office, February 2025, and a second shoot there in June.

Oregon

Portsmouth, London, Oxford

Swanson Studios · Three days of interviews for a medical robotics company, November and December 2023, in Portsmouth, London and Oxford, with our PA, gaffer, HMU, DIT and sound recordist.

The US

Woolwich, London

A US production company · The London crew for a sportswear brand’s studio day in Woolwich, January 2025, a few days after its New York shoot.

The US

Marylebone, London

A US production · A startup series at a workspace in Marylebone, May 2025, with us as fixer: DP, AC, sound, gaffer, DIT, HMU and PA.

The US

The UK

Matt Dunstan, a US director · UK shoots in February 2024 and July 2025. After the first: “We had one hell of a team.”

Two ways to work with us

Crew hire

Your producer runs the shoot.

We find, book and brief the crew, and send the full price before anything is booked. Day rates plus 10% and 2% insurance.

Best if your own producer will be on set.

Production service company

Our producer runs the shoot.

We organise the crew, the Bristol Film Office, Bath Film Office and Network Rail permits, kit, transport and hotels. Your director keeps the creative decisions. Quoted as a production: 15% plus 5% insurance and contingency.

Best if you’re flying in without a UK company or a UK producer.

Insurance

What we hold, against what the law and Bristol’s landowners ask for.

£10m

Employers’ liability. The legal minimum is £5m.

£10m

Public liability, as your producer of record. Bristol Film Office and The Mall at Cribbs Causeway ask for £5m, and Network Rail up to £10m at Temple Meads (checked October 2026). On a crew hire, that certificate is yours.

Arriving

BRI

Temple Meads

Temple Meads is 1 hour 19 minutes from London Paddington on the fastest trains, 11 minutes from Bath Spa, 48 minutes from Cardiff Central and about 1 hour 25 from Birmingham (checked October 2026). Bristol Airport has daily flights from Amsterdam and Paris all year, and the A1 Flyer bus runs to it up to six times an hour from Temple Meads and the bus station. Parking and the Clean Air Zones

Before you fly

An ETA for each visitor

Most visitors from Europe, the US, Canada and Australia need one: £20, valid for two years. Apply at least three working days before you travel. GOV.UK

Your own team

Crew employed by your company can work a location shoot as visitors, if the film is made and paid for outside the UK. They stay on your payroll. British Film Commission

Your kit

Bring it in on an ATA Carnet, or we’ll hire it in. Kit houses in Bristol include Films at 59 Rental in Clifton and at The Bottle Yard, VI Rental and Grip Services at The Bottle Yard, and Floating Harbour Studios on Welsh Back. Specialist kit can come down from London.

Time zones

Bristol runs on UK time: five hours ahead of New York and eight ahead of Los Angeles for most of the year, and an hour behind Paris. We set calls, check-ins and rushes deliveries around your day.

Watching from home

Video playback can stream the monitors to wherever you are. For a US production company’s four days in the City of London and Uxbridge, the playback package carried a Teradek and a livestream licence.

Fixer, service company or crew hire?

They overlap. Here’s what each means, and what we do in Bristol.

Crew hire

You run the shoot; we supply the people at their full day rate, plus our booking fee and insurance.

Fixer

A local who makes the shoot possible: permits from Bristol Film Office, Bath Film Office or Network Rail, locations, crew and the problems on the day. We’ll put a producer on it, from £450 a day, as we did for a US production’s startup series in Marylebone, London, in May 2025. UK film and TV fixers

Production service company

Delivers a whole shoot for a production based elsewhere: crew, kit, permits, insurance, payroll, transport and hotels. It’s what we did for a US production company’s four days in the City of London and Uxbridge in September 2025. Working with a UK production service company

Line producer

Runs the schedule, the budget and the bookings. Producers in Bristol

Location manager

Finds the places, recces them and gets the agreements signed, from Bristol Film Office to the Clifton Suspension Bridge Trust. Filming in Bristol: permits, parking and drones

A camera operator holding an ARRI camera while filming in a car

How we pick
and vet crew



A call first, then past work and references, checked against the role and the brief. We source crew for each job from our books and our network, and rebook the people who do well. For schools, hospitals and care homes, we book crew with current DBS checks.

We book crew who live in and around Bristol and Bath first, and bring them in from across the South West, Cardiff or London when a shoot needs more hands, with the travel on the quote before anything is booked. If a building wants every name, vehicle registration and kit list before the day, from a University of Bristol building in Clifton to The Mall at Cribbs Causeway, we send them with the booking.

What clients say

Top rated
Here Now Films5.0
Based on 54 reviews
Josh Morris
The team at Here Now are exceptional. I've worked with them on a number of projects now and the quality is always outstanding, they are also just an absolute pleasure to work with! They offer creativity, passion and a level of professionalism I've rarely had with other businesses. I'd highly recommend Ed and the team to anyone as their first call for top-tier video production.
Response from the owner:Josh, thanks so much for such a lovely review. It was brilliant working with you and the team, thanks again for having us onboard. We're here when you need us! Ed
Samuel Rollier
Working with the Here Now team on a customer story for Miro in London was an absolute pleasure. They were professional, creative, hyper collaborative, and made the whole process smooth from start to finish. We’re super happy with the result and will definitely be working with them again in the near future!
Response from the owner:Thanks so much for the review Sam and for working with us on the production. You and the whole of the Miro team were great. If you ever need video production in the UK you know where to find us! Till next time.
Simon Hadley
It was a pleasure collaborating with the team at Here Now Films (Ed, Meg, and Ted). They created two videos for our drug and alcohol charity, WithYou in Cornwall, highlighting the recovery journeys of our clients and showcasing the outstanding work our staff does every day. They approached the filming process with sensitivity and empathy, helping our clients and staff feel at ease throughout the shoot. We are thrilled with the final results of both films and would gladly work with the team again in the future.
Response from the owner:Thanks so much Simon. If you ever need another brand film or any thing else, we're here to help. It was a joy working with you guys.
Maxie Harrington
The Here Now Films team helped us conduct a remote shoot in London, from San Francisco. The team made the process as smooth as possible and were an absolute pleasure to work with. I highly recommend their services!
Response from the owner:Thanks so much Maxie! If you ever need a video production company in London, we’re here. Looking forward to the next one.
Victor Cooper
Great team to work with. Helped us with a documentary project. Added helpful creative direction. Met all deadlines. Recommend.
Response from the owner:Thank you so much Victor, it was a pleasure working with you on the recent production. Until the next one!
Colin Eldridge
Great team, allowed us a lot of flexibility in planning our video production around a group of international executives with limited available time, incredibly adaptable with us during post production and series of SME based reviews and live edits.
Response from the owner:Hey Colin, it was a pleasure working with you on these videos. If you ever need us again, just give us a shout.
Robert James
Here Now are professional, creative and a pleasure to work with. The team are well organised, easy to communicate with and delivered an excellent result. Highly recommended.
Response from the owner:Hey Rob, Thanks you so much for the kind words and a huge thanks again for workign with us on the production. If you ever need a film crew in London or any other video production support, just give us a shout! Best, Ed
Matt Dunstan
Here Now Films is always my first call when filming internationally in the UK. This was my second time working with them, and once again, they delivered above and beyond. On our most recent trip, they supported us a phenomenal key production assistant throughout the UK and a great DP in Manchester (a new city for us). They matched the exact camera and lighting kit I use back in the States keeping things consistent for our brand. What really stood out this time was the support from our key PA. He personally ushered me and my U.S.-based DP to every single shoot location throughout the week, and even drove me from London to Manchester. Always on time, if not early, and an excellent driver. I’ve always been uncomfortable driving on the opposite side of the road when traveling internationally, so that accommodation made a huge difference. The first time we worked together in London, they provided a full crew and both shoots ran flawlessly. Communication is always smooth, the team is kind, professional, and incredibly easy to work with. Most importantly, our clients are always happy when they’re involved. Looking forward to many more future projects together. Here Now is truly a go-to partner in the UK!
Response from the owner:Hey Matt, Thanks so much for the kind words. Honestly blown away by the above. If you ever need film crew support or video production assistance across London or the rest of the UK, we're here to help. Hope you and the team have a great end to the year in the USA! Best, Ed
Will Harris
These guys are fab and we will keep working with them in the future
Response from the owner:Thanks a lot Will, next time you need a TV Commercial we’ve got you covered.
Joe Devine
I worked with a crew of four people from Here Now Films for a pilot project. Morgan, the organiser, was very proficient and quick to respond to communications. We met for the first time on the day with a bit of a hazy plan for a tricky shoot, but the crew took it all in their step and the final product was great. Would recommend.
Response from the owner:Thanks so much for the kind words Joe, it was a pleasure working on this with you. If you need us again, we’d be stoked to jump in and help.
Clutch 2026 badge: Top Filming Company, United Kingdom

Top Filming Company, UK · Clutch 2026
5.0 from 26 Clutch reviews

Crew in Bristol?
Join the list

We make films in Bristol, and we can crew a shoot anywhere in the city and Bath, from an interview day to a week on a stage at The Bottle Yard. We’d rather book crew who live here than put a unit on the train from Paddington. We pay you your full day rate on every job: our fee goes on the client’s side of the quote, not yours. Joining is free, and we only post real jobs. Openings at Here Now Films


Creative video production

Need more than a crew?

We’re a video production company first. We work with our clients from the first idea and the concept through the shoot and the edit to delivery: 500+ films since 2016.

An operator with a stabilised camera rig following a runner, crew around them

Video production in Bristol

Brand films, corporate films, customer stories and documentaries, made by one team from the first idea to delivery, with our Bristol office at Raw Space, 111 Gloucester Road. Every production starts at £9,500.

An editor at work in the Here Now Films edit suite

Post-production

Edit, grade and sound, through our post team in London.

Kelvin and Liz Fletcher in a Land Rover on their farm for FatFace

Video production across the UK

500+ productions, for clients from AlTi Tiedemann Global to FatFace.

Global production

Several countries, one production team.

When a shoot crosses cities or borders, one booking covers the whole schedule. We crew and produce across the UK, and work with local service companies abroad, as we did in Norway and Portugal for Cohere.

The Here Now Films unit on a clifftop in Cornwall, shooting Cohere’s AI for Empowerment on 35mm

Cohere · Canada, Norway, the UK, Portugal

Four countries on 35mm

AI for Empowerment: one principal photography day in each country, local service companies in Norway and Portugal, and one grade across every asset.

Surgical instruments from the Swanson Studios shoot for a medical robotics client

Swanson Studios, Oregon · three UK cities

Three cities in three days

Portsmouth, London and Oxford: interviews in two hospitals and an office, on three days running.

An Olympic venue in Paris during the 2024 Games

GMR Marketing · Paris

Five weeks in Paris

Crew and kit at the Olympic and Paralympic Games.

Flying in to shoot in Bristol? Here’s how that works. Crew in other cities: London film crew · Manchester film crew · Birmingham film crew · Cornwall, where we started · Film crew hire across the UK. Shooting in Europe as well? Send the cities and dates.

Hiring a film crew in Bristol: questions

How much does it cost to hire a film crew in Bristol?

You pay each crew member’s day rate, which goes to them in full, plus our 10% booking fee and 2% insurance on everything we book, kit included. A DOP and a sound recordist for the day comes to £1,568 + VAT. Bristol adds its own lines to the quote: Bristol Film Office’s street permit from £84 plus VAT, a parking suspension at £22 plus VAT a vehicle for a day in a pay and display bay, and, because Bristol’s Clean Air Zone is Class D, £9 a day for a car or van below Euro 6 diesel or Euro 4 petrol, all checked October 2026. If we’re the producer of record, it’s quoted as a production instead: everything at cost, plus a 15% production fee and 5% for insurance and contingency, and every production starts at £9,500.

Do you have crew in Bristol, and can you scale up?

Yes. We’re a crew agency with 2,800+ freelance crew on our books across the UK, 150+ of them in and around Bristol and Bath, so we can scale a crew from one person for a morning to a full unit for a week. We book local crew first. When a shoot needs more hands, or a role Bristol is short of that week, we bring them in from across the South West, Cardiff or London, and the travel is on the quote before anything is booked. Our Bristol office is at Raw Space, 111 Gloucester Road, and our headquarters is in London, at 124 City Road.

What’s the difference between crew hire and a full production?

Who’s the producer of record. With crew hire, you or your producer run the shoot and carry the production: we find, book, brief and pay the crew, and book kit or travel if you want it, for 10% plus 2% insurance. With a full production, we take it on: our producer plans and runs it, and we book and pay for the crew, kit, locations, the Bristol Film Office, Bath Film Office and Network Rail permits, and travel in our name, on one contract. That’s quoted as a production: everything at cost, plus 15% and 5% for insurance and contingency.

How far ahead should I book a crew in Bristol?

Our team reads every brief within 2 working hours and comes back with names and the full price. What usually sets the date is permission, not crew. Bristol Film Office asks for at least seven days’ notice and a letter to neighbours and businesses seven days before the shoot; a parking suspension takes three working days, Stop/Go traffic control seven days, a road closure of up to two days two weeks, and one of three days or more usually eight to ten weeks (checked October 2026). Temple Meads wants five working days for a crew of up to ten, and adds £500 with less notice.

Do I need permission to film on a Bristol street?

On council land, yes. Bristol Film Office, part of Bristol City Council and based at The Bottle Yard Studios, permits filming on council land, and applications go through FilmApp. It covers the city only: Bath and North East Somerset has its own film office. A commercial shoot on council-managed land needs a permit; news filming doesn’t, unless it flies a drone. Bristol’s 2026–27 street filming permit is £84 for a crew of up to ten and £163 for 11 to 40; parks, green spaces and the harbourside are £178 for up to ten, all plus VAT (checked October 2026). Bristol Film Office asks for at least £5m public liability and a full risk assessment with every application. Night shoots need the go-ahead from the Film Office and Avon and Somerset Police first. Clifton Suspension Bridge has its own trust and Temple Meads needs Network Rail, each on top. On a full production we apply for all of it; on a crew hire it’s yours, and we’ll tell you who to ask.

Can you fly a drone in Bristol?

Yes, with the right permissions. Taking off or landing on Bristol council land needs a Film Office permit, from £245 a day, with seven days’ notice; city centre flights are considered only early on Sunday mornings, and nothing takes off from a road without a road closure, sub-250g drones included (checked October 2026). The Film Office wants a risk assessment and method statement, £5m public liability, the pilot’s A2 CofC or GVC, and a map of the take-off, landing and flight path. Drones of 250g or more stay 50 metres from Clifton Suspension Bridge. Around Bristol Airport, check the flight restriction zone on the NATS Drone Assist app: inside an airport’s zone, up to 2,000 feet, you need air traffic control’s permission. Since 1 January 2026 the pilot needs a Flyer ID from 100g and an Operator ID from 250g, or 100g with a camera.

How do parking and the Clean Air Zone work on a shoot?

Bristol’s Clean Air Zone is Class D, so it charges cars as well as vans: £9 a day for a car or van below Euro 6 diesel or Euro 4 petrol, £100 for an HGV or coach, around the clock. Bath’s zone is Class C and doesn’t charge private cars (checked October 2026). It’s paid on GOV.UK, up to six days before, on the day or up to six days after, and the charge runs midnight to midnight, so a vehicle that crosses midnight pays twice; miss it and the penalty is £120 plus the charge, or £60 plus the charge within 14 days. A parking suspension in Bristol needs three working days: one day in a pay and display bay is £22 + VAT per vehicle, and several days £15 + VAT per bay per day plus a £30 coning fee (checked October 2026). Unit bases at Ashton Court’s Church Lodge car park and Redcliffe Wharf are £600 a day plus VAT. Each goes on the quote as its own line.

Can you film on Clifton Suspension Bridge or at Temple Meads?

Yes, with the owner’s permission. Clifton Suspension Bridge belongs to its own trust: handheld cameras are welcome, a tripod needs a word with a Bridge Attendant and an indemnity form, and drones of 250g or more must stay 50 metres from the bridge (checked October 2026). Commercial filming is agreed case by case with the Bridge Master, with charges on request, and closing the bridge to the public costs extra. Bristol Temple Meads is a Network Rail managed station: corporate and commercial filming is £750 an hour for up to ten crew, two hours minimum, plus VAT, on weekdays 10:00 to 16:00 or 20:00 to 06:30, with up to £10m public liability (checked October 2026). Less than five working days’ notice adds £500, and a shoot can’t run into the peak hours.

Can you book a studio in Bristol?

Yes, on the same quote as the crew. The Bottle Yard Studios in Whitchurch, the largest film and TV studio in the West of England, has 11 stages across two sites, the biggest 21,700 sq ft, plus a 5,000 sq ft green screen studio (checked October 2026). For interviews and product days, Floating Harbour Studios has a 90m² black box on a 1905 Dutch barge on Welsh Back, Qu Studios in Bedminster a white infinity cove and a green screen cove, and Factory Studios in Barton Hill an 82m² studio with an infinity cove. We check what’s free for your dates, and on a crew hire the studio goes on at the same 10% + 2% as everything else we book.

Do Bristol crew bring their own kit?

Many own theirs, from camera packages to lighting kits, and it goes on the quote as its own line so you can compare. Otherwise we hire it in: Bristol’s kit houses include Films at 59 Rental in Clifton and at The Bottle Yard, VI Rental and Grip Services at The Bottle Yard, and Floating Harbour Studios on Welsh Back. Specialist kit can come down from London. Kit we hire in goes on at the same 10% + 2%.

Can you be the employer of record for an overseas production?

Not in the payroll sense: most UK film crew are freelance. Instead, your contract is with us, a UK company. We contract and pay the UK crew, hold £10m employers’ liability, and send one invoice, so you don’t need a UK company to shoot in Bristol. Your own travelling team stays on your payroll. If you’d rather we ran it as your production service company, we’re the producer of record and our policy covers the shoot, £10m public liability included.

What does the insurance on a crew booking cover?

Two things. Employers’ liability for every crew member we book, up to £10m, and insurance on the kit we hire in for you. That’s what the 2% pays for. A large kit rental may need extra insurance, as its own line on the quote. The 2% doesn’t insure the rest of the shoot: public liability, the location, your own kit and anything you book yourself stay with you, because you’re the producer of record. If you’d rather we were, it’s quoted as a full production, and our insurance covers the whole shoot, public liability included. In Bristol, the Film Office asks for £5m public liability and Network Rail up to £10m at Temple Meads (checked October 2026), and on a crew hire the certificate they want is yours.