Film crew hire in Brighton
We book film crews
for shoots in Brighton and Hove.
We book DOPs, camera operators, sound recordists and whole crews for shoots on the seafront, in the city and on the South Downs. We have 2,800+ freelance crew on our books across the UK. We book crew who live in Brighton first. When a shoot needs more people, we bring crew down from London. The fastest trains from London take about an hour.
500+
Productions
2,800+
Freelance crew on our books, across the UK
£10m
Employers’ liability on every crew member
54
Five-star Google reviews
We’re Here Now Films, a video production company that books crews for Brighton shoots
Agencies, production companies and brands book our crews. So do teams flying in from the US and Europe. For AlTi Tiedemann Global, we’ve made six productions in London and New York. A Brighton day might be an interview in an office near the station, a shoot on the beach or a conference at the Brighton Centre. Our producers know who gives permission for each one, including the Sussex Film Office and the owners of private places such as the pier. If you want us to make the film as well, see our video production.
Crew are paid their full day rate
We pay every crew member their full day rate. Our booking fee and insurance are added to your quote. They don’t come out of the crew’s pay.
Book one person or a whole crew
You can book one camera operator for a morning or a full interview crew for a week. We crew conferences at the Brighton Centre, interviews in offices and shoots on the beach.
We book Brighton crew first
If a shoot needs more people, or nobody in Brighton is free, we bring crew down from London. We add the travel to the quote before anything is booked. Lighting crews usually come from London.
We read every brief within 2 working hours
Our team reads every brief within 2 working hours. We reply with names and a full price, line by line.

Book a crew in Brighton.
Tell us the date, the address or venue, and who you need. Our team reads every brief within 2 working hours. Or call us on 07412 543822.
Quick contact form
Choose the help you need
We book single crew members for a day, and we run shoots across several countries. Pick the option below that matches your shoot.
Crew only
You run the shoot and we book the people. We book camera operators, DOPs, sound recordists and gaffers, and we pay each of them their full day rate.
Shooting from abroad
If you’re flying in from the US or Europe, your contract is with us. We’re a UK company, so you get one invoice and you don’t need a UK company of your own.
Crew and production support
We book the crew and sort the work around them. That includes recces, permits through the Sussex Film Office, kit, vans and hotels. We act as your fixer or your production service company.
Creative video production
If you want us to make the film as well as shoot it, we’re a video production company first. We work with you from the first idea to the finished film.
Global production
We run shoots in several cities or countries as one production. We produced Cohere’s AI for Empowerment campaign on 35mm in Canada, Norway, the UK and Portugal.
The crew
The 24 crew roles we book in Brighton
Each role has its own page. It says what the role does, what the day rate covers, how our rate compares with the APA/Bectu card, and how to book. You can book one person or a whole crew.
Production 06 Camera 07 Data and playback 02 Lighting and grip 03 Sound 01 Hair, make-up and costume 02 Art department 02 Post-production 01
06 roles
Production
The people who plan and run the shoot.
- Director From £500
- Producer From £450
- Production manager £504–627
- 2nd AD £355–448
- Production assistant £400
- Runner £245
07 roles
Camera
The people who operate and look after the cameras.
- DOP From £850
- Camera operator £529–656
- Focus puller £461–575
- Clapper loader £355–448
- Steadicam operator From £950
- Gimbal operator £529–656
- Drone operator From £750
02 roles
Data and playback
The people who back up the footage and show it on set.
- DIT £527
- Video playback £334–518
03 roles
Lighting and grip
The people who light the set and move the camera.
02 roles
Hair, make-up and costume
The people who look after hair, make-up and costume.
- Hair and make-up £398
- Costume £519–694
02 roles
Art department
The people who design and build the set.
- Art director £675–878
- Set builders £341–512
If you’re not sure who you need, send us the brief. We’ll suggest a crew and price each role on its own line.
We also book script supervisors, autocue operators and stills photographers. How our rates work · What each crew role does · Photos: Here Now Films, Rendy Novantino, hessam nabavi and Mark Cruz. The beach at the top of the page is by Anthony Wade on Unsplash.
Rates and set-ups
Crew rates in Brighton
We price every role against the APA/Bectu card. These are the rates the APA agrees with Bectu for commercials, and they’re the clearest benchmark the industry has. Each role’s page shows our day rate next to the card, and the crew member gets all of it. We add our 10% booking fee and 2% insurance to everything we book for you, including kit. If we run the production, we quote it as a production instead. A Brighton shoot can add a few lines of its own, each shown separately. The Sussex Film Office prices each permit application. A suspended parking bay has a £38 application fee, and the council’s daily rate for removals, building work and events is £51 a bay. There’s no emission charge for a crew van. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with the Sussex Film Office and Brighton and Hove City Council.
Two ways to book
The price depends on who is the producer of record. That’s the company responsible for the shoot.
Crew hire
You run the shoot.
10% + 2% booking fee and insurance on everything we book for you, including crew, kit and travel.
We do
- Find, book and brief the crew, and pay them
- Book kit, travel and hotels too, if you want them
- Send the full price before anything is booked
- One person to call all day
- Employers’ liability for the crew we book, and insurance on kit we hire in
You do
- Run the shoot, or your producer does
- The plan, the schedule and the call sheet
- The location, its permission and its public liability
- You’re the producer of record, so the production is your responsibility
The 2% covers employers’ liability for every crew member we book and the kit we hire in for you. It doesn’t cover anything else on the shoot. A large kit rental may need extra insurance, which goes on the quote as its own line.
Full production
We’re the producer of record.
15% + 5% production fee, plus insurance and contingency, on the whole production budget. We quote it as a production.
We do
- Our producer plans it with you and runs the day
- Locations, permits, kit, studio, travel and hotels, booked and paid in our name
- Insurance for the whole shoot, public liability included, plus the risk assessment and the call sheet
- One contract and one invoice, so overseas teams need no UK company
You do
- The creative calls
- Signing off the plan and the budget
The 5% pays for our production insurance across the whole shoot, including £10m public liability, and the contingency.
If your own producer or director will run the day, book crew hire. If you want us to run the production, ask for a full production quote. VAT is added to both. We take 50% by card when you book and 50% when you receive the final rushes.
Worked example of crew hire, with a DOP and a sound recordist for one day £1,568 + VAT
| DOP, day rate | £850 |
| Sound recordist, day rate | £550 |
| Booking fee, 10% | £140 |
| Insurance, 2% | £28 |
| Kit | Their own, or hired in at the same 10% + 2% |
| Total | £1,568 + VAT |
Worked example of a full production, with the same two and our producer, before kit £2,220 + VAT
| DOP, day rate | £850 |
| Sound recordist, day rate | £550 |
| Our producer, day rate | £450 |
| Kit | At cost, with the same 15% + 5%. A two-camera interview kit starts at £765 a day. |
| Production fee, 15% | £277.50 |
| Insurance and contingency, 5% | £92.50 |
| Total, before kit | £2,220 + VAT |
Every day rate is for an 11-hour day, including an hour for lunch. Overtime is paid at card rates, and we agree it with you before it happens. The card is the APA/Bectu commercials rates from 1 September 2026, fixed until at least August 2027. Each role’s rate is in the crew list above, next to the card on its own page.
Common set-ups
These are three crews people often book, priced live for one 11-hour day. The crew total includes our booking fee and insurance. Each piece of kit has its own line, with the same 10% + 2% added. Parking, permit fees and travel are separate lines on the quote. Photos: Here Now Films and Johannes Blenke.
Premium interview set-up Interviews, testimonials, customer stories and B-roll Crew from £3,792.32 + VAT
Crew
£3,792.32 + VAT, with our booking fee and insurance.
Kit
- Two-camera interview kit: Sony FX6 or similar, cine lenses, LED lights and tripods from £765 a day
- Gaffer van from £600 a day
- Grip package from £1,320 a day
We add the same 10% + 2%. Sound kit, travel and parking each have their own line.
Low-footprint interview set-up For shoots that need a small team Crew from £2,072 + VAT
Kit
- Two-camera interview kit: Sony FX6 or similar, cine lenses, LED lights and tripods from £765 a day
We add the same 10% + 2%. Sound kit, travel and parking each have their own line.
A crew around your DOP or director You bring the DOP or director and we book the rest Crew from £2,764.16 + VAT
Crew
£2,764.16 + VAT, with our booking fee and insurance.
Kit
- Gaffer van from £600 a day
- Grip package from £1,320 a day
We add the same 10% + 2%. Sound kit, travel and parking each have their own line.
Other crews
We can book any role and any size of crew. Send the brief and we’ll reply with names and a full price, line by line.
Services
Kit, locations, permits and logistics in Brighton
Most shoots need more than people. We can sort each of these with the crew, and each one gets its own line on the quote. If you’d rather sort them yourself, each card links to our Brighton guide. The permits, parking and drones are also summarised just below.
01
Kit rental
The crew can bring their own kit, which is often cheaper. For bigger camera and lighting packages, we hire from London kit houses.
02
Locations and permits
The Sussex Film Office handles filming on council land, including streets, the beach and parks. The Palace Pier, the Royal Pavilion, Brighton Marina, the station and Churchill Square are private, so you ask the owner. Anyone going into the sea needs at least 10 working days’ notice. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with the Sussex Film Office and Brighton and Hove City Council.
- Who gives permission, and how much notice
- Drones and the airport
- The pier, the Royal Pavilion and the station
03
Studios and set builds
Capture Factory Studios has four studios in central Brighton, five minutes’ walk from the station. Studio 4 has a 13-metre infinity cove. For a big set build, we use studios near London. Set builds go on the quote with the crew. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with Capture Factory Studios.
04
Props and wardrobe
Our stylists, costume designers and hair and make-up artists look after wardrobe on the day. We buy or hire props for the shoot, in Brighton or from London prop houses.
05
Logistics
A suspended parking bay costs a £38 application fee and needs 7 working days’ notice. The council’s daily rate for removals, building work and events is £51 a bay. There’s no emission charge for a crew van, because Brighton’s low emission zone is a bus scheme. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with Brighton and Hove City Council.
06
DIT and data
The crew check and copy every card twice on set. They hand over the rushes at wrap, upload them, or bring them back to our edit. We size the drives to the day’s filming.
One quote covers all of it, line by line. You can also call us on 07412 543822.
Permits, parking and drones
Permits, parking and drones in Brighton
This is our summary for planning a shoot. It isn’t the official source. Always check fees, notice periods and rules with the people named here before you film.
Who gives permission
The Sussex Film Office handles filming on Brighton and Hove City Council land, including streets, the beach, the seafront and parks. It also advises on road closures and parking. Private places need the owner’s permission. These include Brighton Palace Pier, the Royal Pavilion, Brighton Marina, Brighton station and Churchill Square. On a full production, we apply for everything. On a crew hire, the permits are yours, and we tell you what the shoot needs.
Fees
The Sussex Film Office doesn’t publish its fees. It prices each application, and we add the permit to the quote as its own line.
Filming in the sea
If anyone swims or goes into the sea, you need at least 10 working days’ notice and a risk assessment. You also arrange extra safety cover, such as a lifeboat. Talk to the council’s Seafront Office first.
Brighton Palace Pier and the Royal Pavilion
The pier is private. Its filming page asks for the date and time, the hours, the crew size, a lead name and what you’re filming. It has been used in Stormzy’s film Big Man, ITV’s Grace and adverts for Freemans and Skipton Building Society. The Royal Pavilion and the city’s museums handle filming through their marketing office, which gives fees on request. The Royal Pavilion asks for at least £10m public liability and doesn’t allow drones. The Royal Pavilion Garden goes through the Sussex Film Office. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with the Sussex Film Office, Brighton and Hove City Council, Brighton Palace Pier and Brighton and Hove Museums.
How much notice you need in Brighton
| What you need | Notice |
|---|---|
| A suspended parking bay | 7 working days |
| 30 or more bays in one place | 10 weeks |
| Anyone in the sea | At least 10 working days |
| A road closure | Up to 12 weeks |
| A drone inside the Shoreham flight restriction zone | At least 7 days, £20 plus VAT |
Parking and emission charges
A suspended parking bay costs a £38 application fee. The council’s daily rate for removals, building work and events is £51 for each 5.5-metre bay. It doesn’t list a filming rate, so we confirm the charge when we apply. A standard application needs 7 full working days’ notice, and an urgent one costs £20 more. Brighton’s low emission zone is a bus scheme, so there’s no charge for a crew van.
Drones and the airport
Brighton City Airport at Shoreham has a flight restriction zone. It covers two nautical miles round the airfield, up to 2,000 feet, plus zones 5 km long and 1 km wide at each end of the runway. You can’t fly a drone inside it without written permission from air traffic control. Apply at least 7 days before the flight. The fee is £20 plus VAT, and it isn’t refundable. Check the airport’s map to see whether your take-off point is inside the zone. If you take off from council land, you also need permission from the council’s outdoor events team. It asks for the pilot’s CAA licence, drone insurance, a risk assessment and a flight map. Drones can’t fly over Seven Sisters Country Park without its express permission. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with Brighton City Airport, Brighton and Hove City Council and Seven Sisters Country Park.
Brighton station
Brighton station is managed by Southern, part of Govia Thameslink Railway. GTR asks for permission in advance to film at its stations or on its trains. Commercial requests go to its business development team.
When Brighton is busy
The city is hardest to film in during the Brighton Marathon in April, the Brighton Festival and Fringe in May and early June, Pride in early August, and warm summer weekends on the beach. A small crew can still work. For a bigger shoot, we’d plan another week.
Sources
We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with Brighton and Hove City Council on parking and the low emission zone, GTR for the station, and the Brighton Marathon, Brighton Festival and Brighton Fringe for their dates.
How it works
How a booking works
Send us one brief. We reply with names, the full price and the notice your permits need, before anything is booked.
2 hrs
for our team to read your brief, in working hours
Book a Brighton crew
100%
of each crew member’s day rate goes to them. We add our booking fee and insurance to your quote.
Send the brief
Tell us the date, the address or venue, who you need and any kit.
We send names
We tell you who’s free, the full price line by line, and the permits the date needs.
Confirm
You book the crew. We take 50% by card when you book and 50% when you receive the final rushes.
Call sheet
We send times, the address, parking, the nearest station and contacts.
Shoot
One person on our team answers all day, on set or on the phone.
Who books us
Who books our crews
Four kinds of client book our crews. They include agencies in Paris and New York and in-house teams in their own offices. They all get a crew picked for the job and one person on our team who answers all day. Brands also book us to make the whole film. For AlTi Tiedemann Global, that’s been six productions in London and New York.
- AgenciesWe can work under your name, so the crew turn up as your crew. WordAppeal in Paris has booked two interview days with us in London.
- Production companiesUS teams fly in their director and DP and book the rest of the crew through us. One did this for four days in the City of London and Uxbridge.
- In-house teamsYour team keeps the format and the edit. We bring the plan, the crew and the kit. For The Athletic’s Truth or Padel, we planned eight cameras round a padel court, starting with the pilot in Alderley Edge, Cheshire.
- One person for one dayThis is a normal booking for us. There’s no minimum crew size.
Every booking starts the same way. Send us the brief.
From abroad
Shooting in Brighton from abroad. You don’t need a UK company to book us.
Production companies and agencies from the US and Europe book their UK crews through us. A Brighton shoot works the same way. Your contract is with us, a UK company. We contract and pay the crew, sort the permits, and send you one invoice.
Booked from abroad
The US
The City of London, Uxbridge
A US production company · Four days of customer stories in September 2025, at a law firm’s office on Cannon Street and then an office in Uxbridge. We crewed and produced it around their director, with a producer, gaffer, 1st AC, sound, HMU, grip, swing, playback and stills. It came in £498 under budget.
Paris
Wimbledon, London
WordAppeal · International Women’s Day interviews at a European gaming group’s London office, February 2025, and a second shoot there in June.
Oregon
Portsmouth, London, Oxford
Swanson Studios · Three days of interviews for a medical robotics company, November and December 2023, in Portsmouth, London and Oxford, with our PA, gaffer, HMU, DIT and sound recordist.
The US
Woolwich, London
A US production company · The London crew for a sportswear brand’s studio day in Woolwich, January 2025, a few days after its New York shoot.
The US
Marylebone, London
A US production · A startup series at a workspace in Marylebone, May 2025, with us as fixer: DP, AC, sound, gaffer, DIT, HMU and PA.
The US
The UK
Matt Dunstan, a US director · UK shoots in February 2024 and July 2025. After the first, he wrote “We had one hell of a team.”
Two ways to work with us
Crew hire
Your producer runs the shoot.
We find, book and brief the crew, and send the full price before anything is booked. Day rates plus 10% and 2% insurance.
This suits you if your own producer will be on set.
Production service company
Our producer runs the shoot.
We organise the crew, the permits from the Sussex Film Office and private owners, kit, transport and hotels. Your director makes the creative decisions. We quote it as a production, with 15% plus 5% for insurance and contingency.
This suits you if you’re flying in without a UK company or a UK producer.
Insurance
What we hold, and what Brighton’s venues ask for.
£10m
Employers’ liability for every crew member we book.
£10m
Our policy covers public liability when we’re the producer of record. On a crew hire, the certificate is yours. The Royal Pavilion asks for at least £10m, and other venues set their own amount. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with Brighton and Hove Museums.
Arriving
Train
Brighton station
The fastest trains from London to Brighton take about an hour. Direct trains run from London Victoria, London Bridge and St Pancras. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with National Rail. Parking and emission charges
Before you fly
An ETA for each visitor
Most visitors from Europe, the US, Canada and Australia need one. It costs £20. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with GOV.UK.
Your own team
Crew employed by your company can visit the UK to work on a location shoot, if the film is produced and financed outside the UK. They stay on your payroll. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with the British Film Commission.
Your kit
Bring it in on an ATA Carnet, or we’ll hire it in. Bigger camera and lighting packages come from London kit houses.
Time zones
Brighton runs on UK time. For most of the year, that’s five hours ahead of New York, eight hours ahead of Los Angeles and an hour behind Paris. We set calls, check-ins and rushes deliveries around your day.
Watching from home
Video playback can stream the monitors to wherever you are. For a US production company’s four days in the City of London and Uxbridge, the playback package included a Teradek and a livestream licence.
Fixer, service company and crew hire explained
The three overlap. This is what each one means, and what we do for each in Brighton.
You run the shoot and we book the people. We pay them their full day rate and add our booking fee and insurance.
A fixer is a local who makes the shoot possible. In Brighton that means permits through the Sussex Film Office, the pier or the Royal Pavilion, finding locations, booking crew and solving problems on the day. We put a producer on it, from £450 a day. We did this for a US production’s startup series in Marylebone, London, in May 2025. UK film and TV fixers
A production service company runs a whole shoot for a production company from somewhere else. That covers crew, kit, permits, insurance, payroll, transport and hotels. We did this for a US production company’s four days in the City of London and Uxbridge in September 2025. Working with a UK production service company
A line producer runs the schedule, the budget and the bookings. Producers
A location manager finds places, recces them and gets the agreements signed. Permits, parking and drones in Brighton
How we pick
and vet crew
We start with a call, then check past work and references against the role and the brief. We find crew for each job from our books and our network, and we book the people who do well again.
We book crew who live in Brighton and Hove first. When a shoot needs more people, we bring crew down from London. We add the travel to the quote before anything is booked. If a building wants every name, vehicle registration and kit list before the day, we send them with the booking.
What clients say
Crew who live in Brighton
Join our crew list
We can crew a shoot anywhere in Brighton and Hove, and we’d rather book crew who live here than bring everyone down from London. We pay you your full day rate on every job. Our fee goes on the client’s quote and doesn’t come out of your pay. Joining is free, and we only post real jobs.
Creative video production
We also make the film
We’re a video production company first. We work with our clients from the first idea through the shoot and the edit to the finished film. We’ve made 500+ films since 2016.
Our films
Brand films, customer stories and documentaries, made by our team from the first idea to the finished film. Every production starts at £9,500.
Post-production
Our post team edits, grades and mixes the sound.

Video production across the UK
We’ve made 500+ productions, for clients including AlTi Tiedemann Global and FatFace.
Global production
Shoots in several countries
When a shoot crosses cities or borders, one booking covers the whole schedule. We crew and produce across the UK, and work with local service companies abroad, as we did in Norway and Portugal for Cohere.
Cohere · Canada, Norway, the UK, Portugal
Four countries on 35mm
AI for Empowerment had one shoot day in each country. We worked with local service companies in Norway and Portugal, and every asset went through one grade.
Swanson Studios, Oregon · three UK cities
Three cities in three days
Interviews in two hospitals and an office in Portsmouth, London and Oxford, on three days running.
GMR Marketing · Paris
Five weeks in Paris
Crew and kit at the Olympic and Paralympic Games.
If you’re flying in to shoot in Brighton, here’s how that works. We also book crew in London, Manchester, Birmingham, Bristol, Cornwall, where we started, Edinburgh, and Oxford. See film crew hire across the UK. If you’re shooting in Europe as well, send the cities and dates.
Questions about hiring a film crew in Brighton
How much does it cost to hire a film crew in Brighton?
You pay each crew member’s day rate, and they get all of it. We add our 10% booking fee and 2% insurance to everything we book, including kit. A DOP and a sound recordist for the day comes to £1,568 + VAT. A Brighton shoot can add its own lines, such as a permit from the Sussex Film Office or a suspended parking bay. If we’re the producer of record, we quote it as a production instead. That means everything at cost, plus a 15% production fee and 5% for insurance and contingency. Every production starts at £9,500.
Do I need a permit to film in Brighton?
Yes, for council land, which includes streets, the beach, the seafront and parks. The Sussex Film Office handles it and prices each application. Private places, such as the Palace Pier, the Royal Pavilion, Brighton Marina, the station and Churchill Square, need the owner’s permission. Check with the Sussex Film Office for the latest.
Can I film on Brighton beach?
Yes, with permission from the Sussex Film Office. If anyone goes into the sea, you need at least 10 working days’ notice and a risk assessment, and extra safety cover such as a lifeboat. Check with the council’s Seafront Office for the latest.
Can I fly a drone in Brighton?
Inside the flight restriction zone round Brighton City Airport at Shoreham, you need written permission from air traffic control. Apply at least 7 days ahead. The fee is £20 plus VAT. Check the airport’s map to see whether your take-off point is inside the zone. Council land also needs permission from the council’s outdoor events team. Check with Brighton City Airport for the latest.
Can I film on Brighton Palace Pier?
The pier is private, so you ask the pier. Its filming page asks for the date and time, the hours, the crew size, a lead name and what you’re filming. Check with Brighton Palace Pier for the latest.
How much notice do I need to suspend parking in Brighton?
A standard application needs 7 full working days. The application fee is £38, and the council’s daily rate for removals, building work and events is £51 a bay. 30 or more bays in one place need 10 weeks. Check with Brighton and Hove City Council for the latest.
Is there an emission charge for a crew van in Brighton?
No. Brighton’s low emission zone is a bus scheme, so there’s no charge for a crew van. Check with Brighton and Hove City Council for the latest.
Where do your Brighton crews come from?
We book crew who live in Brighton and Hove first. When a shoot needs more people, we bring crew down from London. Lighting crews usually come from London. We add the travel to the quote before anything is booked.
When is Brighton hardest to film in?
During the Brighton Marathon in April, the Brighton Festival and Fringe in May and early June, Pride in early August, and summer weekends on the beach. Check the organisers’ dates for the latest.
Can you crew a Brighton shoot for a team from abroad?
Yes. Your contract is with us, a UK company. We book and pay the crew and send you one invoice. Your own travelling team stays on your payroll.
Can you supply kit?
Yes. The crew can bring their own, or we hire it from London kit houses. Kit goes on the quote with the same 10% booking fee and 2% insurance as the crew.
What does the insurance on a crew booking cover?
It covers two things. The first is employers’ liability for every crew member we book, up to £10m. The second is the kit we hire in for you. That’s what the 2% pays for. A large kit rental may need extra insurance, which goes on the quote as its own line. On a crew hire, you’re the producer of record, so public liability, the location, your own kit and anything you book yourself stay with you. If you want us to be the producer of record, we quote it as a full production, and our insurance covers the whole shoot.
More on filming in Brighton
- Video production across the UK
- Film crew rates in the UK
- Film equipment hire in Brighton
- Filming locations and permits in Brighton
- Film studios in Brighton
- Props and wardrobe for Brighton shoots
- Shoot logistics in Brighton
- DIT and data for Brighton shoots
- Insurance on a crew booking
- Film crew roles and what they do
- Crew case studies
- Working with a UK production service company
- How we select our crew
- Film crew hire across the UK
