Film crew hire/Bristol/Set builders

Hire set builders in Bristol. Built to the drawings, finished for the lens, struck at wrap.

Set builders, carpenters and scenic painters for adverts, music videos, brand films and drama across Bristol and Bath. They build to the art director’s drawings in a workshop or on a stage, such as the eleven at The Bottle Yard, paint and age it for the camera, and strike it at wrap. From £341 a day per builder, paid in full.

  • 2,800+ freelance crew on our books across the UK
  • 150+ of them in and around Bristol and Bath
  • 54 five-star Google reviews
  • 2 hrs for our team to read your brief, in working hours
A carpenter working timber in a workshop
A carpenter cutting timber with a mitre saw
A timber frame being built on a workbench
A tape measure held against timber on a workbench
Cliftonwood’s brightly painted houses on the hill above Bristol’s harbour

Photos: Ali Mkumbwa, Ryno Marais, Callum Hill and Sheila C

The role

What set builders do on your shoot

Set builders make what the location can’t give you: a wall with the window where the DOP wants it, a shop counter, a stage, a room that comes apart so the camera can get in. Carpenters build it, scenic painters finish and age it, and the same team strikes it and clears the floor.

Every build runs the same way: design, construction, dressing, strike. The art director draws it, the builders make it, the dressers fill it, and everyone helps clear it.

Bristol has the space for big builds. The Bottle Yard Studios has 11 stages across its two sites in Whitchurch and Hengrove, Tankhouse 3 is 65 feet high, and Sanditon’s town went up on its back lot. Its tenants include Set Smith, which builds sets, scenery and props, Scaffolding to the Stars, the TV and film riggers, and Figure Nine, for rope access and filming platforms; in the city, Bristol Old Vic’s scenic workshop fabricates in wood and metal for outside clients (checked October 2026). As a crew agency we have 2,800+ freelance crew on our books, 150+ of them in and around Bristol and Bath, so a build crew grows with the drawings: one carpenter for a false wall, a team for a room set. When a build needs more hands than the city has free that week, they come from across the South West, Cardiff or London, with the travel on the quote.

  • Built to the drawings. Dimensions, finishes and camera positions agreed with the art director before the first cut.
  • Made to move. Wild walls and flying pieces, so the camera and the lights can get in.
  • Finished for the lens. Paint, ageing and texture that hold up in a 4K close-up.
  • Struck and cleared. The stage or location handed back as it was, and the waste taken away.

What’s included

What the day rate covers

Per builder, per day

  • An 11-hour day per builder, including an hour for lunch
  • Building to the art director’s drawings
  • Painting and finishing
  • Wild walls and flying pieces where needed
  • A standby carpenter on the shoot day, if booked
  • The strike, and the space cleared

On top, each on its own line

  • Our 10% booking fee and 2% insurance, on the whole quote
  • Materials, at cost
  • Workshop space, transport and waste disposal
  • The stage, and any repaint the studio charges for
  • A road closure for a street build: up to two days is £721 plus VAT, with two weeks’ notice (checked October 2026)
  • Travel from outside Bristol, and mileage, parking and the Clean Air Zone charge where the day needs them, at cost

How our rates work, and the two ways to book: crew rates in Bristol.

Two ways to book

Crew hire or full production: who’s the producer of record?

One question sets the price: who’s the producer of record? Book builders for your own production, or have us take the whole film on.

Crew hire

You run the shoot.

10% + 2% booking fee and insurance, on everything we book for you: crew, kit and travel.

We do

  • Find, book and brief the crew, and pay them
  • Book kit, travel and hotels too, if you want them
  • Send the full price before anything is booked
  • One person to call all day
  • Employers’ liability for the crew we book, and insurance on kit we hire in

You do

  • Run the shoot, or your producer does
  • The plan, the schedule and the call sheet
  • The location, its permission and its public liability
  • Responsibility for the production: you’re the producer of record

What the 2% insures: employers’ liability for every crew member we book, and the kit we hire in for you. Nothing else on the shoot. A large kit rental may need extra insurance, as its own line on the quote.

Full production

We’re the producer of record.

15% + 5% production fee, plus insurance and contingency, on the whole production budget. Quoted as a production.

We do

  • Our producer plans it with you and runs the day
  • Locations, permits, kit, studio, travel and hotels, booked and paid in our name
  • Insurance for the whole shoot, public liability included, plus the risk assessment and the call sheet
  • One contract and one invoice, so overseas teams need no UK company

You do

  • The creative calls
  • Signing off the plan and the budget

What the 5% pays for: our production insurance across the whole shoot, £10m public liability included, and the contingency.

Not sure which you need? If your own producer or director will run the day, it’s crew hire. If you want us to take the production on, it’s a full production quote.

On the day

A set build, from drawings to strike

A shop interior for an advert, built in a workshop and stood up on a stage at The Bottle Yard. Days are an example; the schedule sets the real ones.

  • Week 1 Drawings The art director’s plans agreed: the counter, the shelving, the walls that come out for the camera, and what fits through the scenic door: Studio 9 at TBY2, for one, has a 16 by 13 foot door (checked October 2026).
  • Day 1 Workshop Flats, the counter and the shelving built in the workshop, and every piece numbered for the load-in.
  • Day 2 Load in A tail-lift van out to Whitchurch, about 20 minutes from the city centre by the studio’s own reckoning, then everything stood up, braced and fixed on the stage.
  • Day 3 Paint The scenic painter’s base coats, then the ageing: a shop that has traded for twenty years.
  • Day 4 Dress The dressers stock the shelves; the builders hang the doors and fix what the camera finds.
  • Shoot Standby A standby carpenter on set to pull a wall, fix a hinge or make a quick change.
  • Strike Clear Everything down and out, materials recycled where they can be, and the stage handed back as the studio wants it.

Which kind

Which construction crew do you need?

The crew grows with the build. Card rates are per person, per 11-hour day.

Carpenter Builds the set Card £341–512

Builds flats, platforms, units and pieces, from the workshop to the stage.

Best for any set build, from a single wall to a room.

Master carpenter Runs the build Quoted on the brief

Runs the carpenters, solves the tricky pieces and signs off what’s safe.

Best on builds of more than a couple of days.

Scenic painter Paint, ageing and finishes Quoted on the brief

Paints and ages the set: wood, plaster, metal and dirt, all convincing on camera.

Best when the set has to look old, used or expensive.

Standby carpenter On set on the day From £341 a day

Stays with the set during the shoot to move walls, fix things and make changes.

Best on any built set.

Props, models and effects Specialist workshops Quoted on the brief

Models, miniatures, moulded props and physical effects such as smoke, rain and fire, made by a specialist.

Best when the set needs something no carpenter would make. Real SFX, a special effects company founded in 2008, is a tenant at The Bottle Yard; on Bristol council land, special effects, rain machines and wet-downs go on the Film Office application (checked October 2026).

Construction manager Big builds Quoted on the brief

Plans and runs the construction department, the budget and the workshop on large builds.

Best for drama and big adverts: Sanditon’s town went up on The Bottle Yard’s 60,000 sq ft back lot.

What it’s for

What people book set builders for in Bristol

Studio builds

Rooms, shops and fronts on a stage at The Bottle Yard, whose 11 stages run from 7,000 to 21,700 sq ft, or pieces in front of its 5,000 sq ft green screen studio.

Adverts

A kitchen, a café or a living room with walls that come out, built in a workshop and stood up on a stage for a day or two.

Music videos

A look built in a warehouse, or a piece for the black box in the Dutch barge on Welsh Back.

Drama

Fronts, rooms and period pieces in a city whose recent credits run from Rivals and The Forsytes to Young Sherlock and Agatha Christie’s Seven Dials.

Locations that need help

A false wall, a fake window or a shop front over a real one in Clifton or Stokes Croft, with the owner’s permission and Bristol Film Office’s.

Recent work

How we crew a build in Bristol

How we crew it · Bristol

Building on a stage at The Bottle Yard

The Bottle Yard has 11 stages on two sites under half a mile apart: eight at TBY1 on Whitchurch Lane and three at TBY2 on Hawkfield Way. Studio 9 at TBY2 is 20,000 sq ft, 34 feet to the truss, with a 16 by 13 foot scenic door, and Tankhouse 3 at TBY1 is 65 feet high (checked October 2026). Before a build is drawn, we ask the studio for its load-in times, door sizes and floor rules, and whether anything needs a repaint after. Anything it charges goes on the quote as its own line, and so does the workshop. More on film studios in Bristol.

How we crew it · Bristol

Building on a Bristol street

On location, the paperwork sets the schedule. Bristol Film Office wants seven days’ notice and letters to neighbours and businesses seven days before; cables go 2.6 metres over a footway and 5.2 metres over a road, or under mats; and a road closure of up to two days needs two weeks’ notice and £721 plus VAT, one of three days or more eight to ten weeks (checked October 2026). On private property the owner says yes first. Pieces fix without damage and come out cleanly at wrap.

Before you book

Things to know

Planning

  • A build needs drawings and a schedule: tell us the shoot date and we work back.
  • Load-in times at the stage, and the van’s height and weight, agreed before the build starts.
  • TBY1 has 210 secure parking spaces, also used for exterior builds and unit bases (checked October 2026).

The day

  • 11 hours, including an hour for lunch.
  • Overtime at card rates, agreed with you before it happens.
  • Build, paint and strike days are each their own line on the quote.

Building in Bristol

  • Bristol Film Office asks for at least £5m public liability and a full risk assessment with every application.
  • Generators baffled or built into a vehicle, and engines off on arrival. Night work needs authorising by Bristol Film Office and Avon and Somerset Police first (checked October 2026).
  • A build van inside the Clean Air Zone pays £9 a day if it’s below Euro 6 diesel or Euro 4 petrol, an HGV £100 (checked October 2026).

Paying and changes

  • Nothing to pay until you confirm the builders.
  • 50% by card when you book, 50% on receipt of the final rushes.
  • Every line on the quote: day rate, booking fee, kit, travel.
  • Moving the date? Tell us as soon as you know.
  • Cancellation terms are on every quote.

What our insurance covers

  • Employers’ liability for the builders we book: £10m.
  • Kit we hire in for you is insured. A large kit rental may need extra insurance, as its own line on the quote.
  • Nothing else on a crew hire. Public liability, the location and your own kit stay with you, and your venue will want your certificate. When we’re the producer of record, our policy covers the shoot.

£341 a day

APA/Bectu card: £341–512 a day, carpenter to master carpenter.

Per builder, 11 hours£341
Booking fee, 10%£34.10
Insurance, 2%£6.82
One builder, one day, before materials£381.92

The 2% is employers’ liability for the builders we book, and cover on kit we hire in. What it covers

You won’t pay anything until you confirm the build.

  • 50% by card at booking, 50% on the final rushes
  • Our team reads every brief within 2 working hours
  • Every line on the quote before anything is booked

Or call us on 07412 543822.

Reviews

What clients say about our crews

Straight from our Google Business Profile.

Top rated
Here Now Films5.0
Based on 54 reviews
Josh Morris
The team at Here Now are exceptional. I've worked with them on a number of projects now and the quality is always outstanding, they are also just an absolute pleasure to work with! They offer creativity, passion and a level of professionalism I've rarely had with other businesses. I'd highly recommend Ed and the team to anyone as their first call for top-tier video production.
Response from the owner:Josh, thanks so much for such a lovely review. It was brilliant working with you and the team, thanks again for having us onboard. We're here when you need us! Ed
Samuel Rollier
Working with the Here Now team on a customer story for Miro in London was an absolute pleasure. They were professional, creative, hyper collaborative, and made the whole process smooth from start to finish. We’re super happy with the result and will definitely be working with them again in the near future!
Response from the owner:Thanks so much for the review Sam and for working with us on the production. You and the whole of the Miro team were great. If you ever need video production in the UK you know where to find us! Till next time.
Simon Hadley
It was a pleasure collaborating with the team at Here Now Films (Ed, Meg, and Ted). They created two videos for our drug and alcohol charity, WithYou in Cornwall, highlighting the recovery journeys of our clients and showcasing the outstanding work our staff does every day. They approached the filming process with sensitivity and empathy, helping our clients and staff feel at ease throughout the shoot. We are thrilled with the final results of both films and would gladly work with the team again in the future.
Response from the owner:Thanks so much Simon. If you ever need another brand film or any thing else, we're here to help. It was a joy working with you guys.
Maxie Harrington
The Here Now Films team helped us conduct a remote shoot in London, from San Francisco. The team made the process as smooth as possible and were an absolute pleasure to work with. I highly recommend their services!
Response from the owner:Thanks so much Maxie! If you ever need a video production company in London, we’re here. Looking forward to the next one.
Victor Cooper
Great team to work with. Helped us with a documentary project. Added helpful creative direction. Met all deadlines. Recommend.
Response from the owner:Thank you so much Victor, it was a pleasure working with you on the recent production. Until the next one!
Colin Eldridge
Great team, allowed us a lot of flexibility in planning our video production around a group of international executives with limited available time, incredibly adaptable with us during post production and series of SME based reviews and live edits.
Response from the owner:Hey Colin, it was a pleasure working with you on these videos. If you ever need us again, just give us a shout.
Robert James
Here Now are professional, creative and a pleasure to work with. The team are well organised, easy to communicate with and delivered an excellent result. Highly recommended.
Response from the owner:Hey Rob, Thanks you so much for the kind words and a huge thanks again for workign with us on the production. If you ever need a film crew in London or any other video production support, just give us a shout! Best, Ed
Matt Dunstan
Here Now Films is always my first call when filming internationally in the UK. This was my second time working with them, and once again, they delivered above and beyond. On our most recent trip, they supported us a phenomenal key production assistant throughout the UK and a great DP in Manchester (a new city for us). They matched the exact camera and lighting kit I use back in the States keeping things consistent for our brand. What really stood out this time was the support from our key PA. He personally ushered me and my U.S.-based DP to every single shoot location throughout the week, and even drove me from London to Manchester. Always on time, if not early, and an excellent driver. I’ve always been uncomfortable driving on the opposite side of the road when traveling internationally, so that accommodation made a huge difference. The first time we worked together in London, they provided a full crew and both shoots ran flawlessly. Communication is always smooth, the team is kind, professional, and incredibly easy to work with. Most importantly, our clients are always happy when they’re involved. Looking forward to many more future projects together. Here Now is truly a go-to partner in the UK!
Response from the owner:Hey Matt, Thanks so much for the kind words. Honestly blown away by the above. If you ever need film crew support or video production assistance across London or the rest of the UK, we're here to help. Hope you and the team have a great end to the year in the USA! Best, Ed
Will Harris
These guys are fab and we will keep working with them in the future
Response from the owner:Thanks a lot Will, next time you need a TV Commercial we’ve got you covered.
Joe Devine
I worked with a crew of four people from Here Now Films for a pilot project. Morgan, the organiser, was very proficient and quick to respond to communications. We met for the first time on the day with a bit of a hazy plan for a tricky shoot, but the crew took it all in their step and the final product was great. Would recommend.
Response from the owner:Thanks so much for the kind words Joe, it was a pleasure working on this with you. If you need us again, we’d be stoked to jump in and help.
A film crew working on a large soundstage, lit and rigged

Book set builders in Bristol.

Tell us what needs building, where, and when it has to be ready. Our team reads every brief within 2 working hours. Or call us on 07412 543822.

Clutch 2026: Top Filming Company, UK

Check availability

The whole crew

Every role in Bristol, booked the same way

One brief, one quote, every role on its own line. Our day rates in Bristol, paid to the crew member in full:

Production 06

Camera 07

Data and playback 02

Lighting and grip 03

Sound 01

Hair, make-up and costume 02

Art department 02

  • Art director £675–878
  • Set builders This page £341–512

Post-production 01

How our rates work: crew rates in Bristol. Or start from a set-up: interview crews and units in Bristol.

Questions

Hiring set builders in Bristol: questions

How much does a set build cost in Bristol?

It depends on the build. Builders are priced per person per day, at £341–512 on the APA/Bectu card from carpenter to master carpenter, paid in full; materials, workshop, transport and waste are at cost. Our 10% booking fee and 2% insurance go on top, so one builder for one day starts at £381.92 + VAT. A simple wall can be a day for two; a room set, a week for a team. Our rates are national, so a Bristol build costs the same through us as anywhere else.

What does the insurance on a crew booking cover?

Two things. Employers’ liability for every crew member we book, up to £10m, and insurance on the kit we hire in for you. That’s what the 2% pays for. A large kit rental may need extra insurance, as its own line on the quote. The 2% doesn’t insure the rest of the shoot: public liability, the location, your own kit and anything you book yourself stay with you, because you’re the producer of record. If you’d rather we were, it’s quoted as a full production, and our insurance covers the whole shoot, public liability included.

Where can we build a set in Bristol?

On a hired stage, or on location with permission. The Bottle Yard Studios in Whitchurch, the largest film and TV studio in the West of England, has 11 stages across two sites, the biggest 21,700 sq ft, plus a 5,000 sq ft green screen studio (checked October 2026). Smaller spaces include Farm Studio at Failand, with a paintable 28 by 14 foot cove and complete blackout, and the black box in the Dutch barge on Welsh Back (checked October 2026). Ask the studio about load-in and its floor before the build is drawn. See film studios in Bristol.

Who builds sets in Bristol?

The carpenters and scenic painters we book and pay, and specialist workshops where a build needs one. At The Bottle Yard, Set Smith builds sets, scenery and props in its workshop and on location, Scaffolding to the Stars rigs for TV and film, and Figure Nine does rope access, cable dollies and filming platforms; in the city, Bristol Old Vic’s scenic workshop fabricates in wood and metal for outside clients (checked October 2026). A workshop’s work goes on the quote as its own line.

Can you build on a Bristol street?

With permission, yes. Bristol Film Office asks for at least seven days’ notice and a letter to neighbours and businesses seven days before the shoot; a road closure of up to two days needs two weeks, and one of three days or more usually eight to ten weeks (checked October 2026). A pavement or footpath closure needs seven days and an alternative route. On private property the owner says yes first, and pieces fix without damage and come out cleanly at wrap.

Can the build use rain, smoke or other effects?

Yes, declared on the application. Bristol Film Office wants special effects, rain machines, wet-downs and stunts declared when you apply, and night work authorised by the Film Office and Avon and Somerset Police in advance. Real SFX, founded in 2008, is an effects company based at The Bottle Yard (checked October 2026).

How far ahead should I book a set build?

Our team reads every brief within 2 working hours, and the build sets the rest: a small build needs about a week from drawings to shoot, a room set two or three. On location, add the Film Office’s notice: seven days for a shoot on council land, two weeks for a short road closure, and eight to ten weeks for a longer one (checked October 2026).

Do I need an art director as well?

For anything more than a simple piece, yes: the art director designs it and draws it, the builders build it. See art directors in Bristol.

From £341 a day