Film crew hire/Manchester/2nd AD
Hire a 2nd AD in Manchester. The cast on time, the call sheet right, the next set-up ready.
Second assistant directors for adverts, drama, music videos and brand films across Greater Manchester and the North, booked from our office in Ancoats. They write the call sheet, move the cast through make-up and costume, run the background and keep the next set-up coming. From £355 a day, paid to the 2nd AD in full.
- 54 five-star Google reviews
- 48 hrs from enquiry to confirmed crew, on most Manchester bookings
- £10m employers’ liability on every crew member we book
- 2,800+ freelance crew on our books
Photos: Jakob Owens, Rendy Novantino, Tri Vo, Huong Do and Here Now Films
The role
What a 2nd AD does on your shoot
The 2nd AD (second assistant director) works to the 1st AD, who runs the set and the schedule. The 2nd looks after everything that feeds the set: the call sheet, the cast’s movements through hair, make-up and costume, the background artists and the paperwork. When the 1st calls for the next actor, the 2nd already has them ready.
On a small brand film there’s often no AD team at all: the producer runs the floor. Book one when there’s a cast, background artists, a tight schedule or a big unit.
- The call sheet, right. Call times, locations, contacts, the weather and the nearest A&E, out the night before.
- Cast where they should be. Through make-up and costume and onto set, on time, in the right order.
- Background managed. Extras signed in, checked, briefed and placed.
- Paperwork done. Times logged, releases signed, the progress report sent.
What’s included
What the day rate covers
In the day rate
- An 11-hour day, including an hour for lunch
- The call sheet and the next day’s schedule
- The cast’s day: pick-ups, make-up, costume, set
- Signing in and placing background artists
- Releases and the progress report
- Running the unit base on the radio
On top, each on its own line
- Our 10% booking fee and 2% insurance, on the whole quote
- Prep days for scheduling and call sheets
- A 3rd AD or floor runners, for a big cast
- Travel outside Greater Manchester, at cost
How our rates work, and the two ways to book: crew rates in Manchester.
Two ways to book
Crew hire or full production: who’s the producer of record?
One question sets the price: who’s the producer of record? Book an AD for your own production, or have us take the production on.
Crew hire
You run the shoot.
10% + 2% booking fee and insurance, on everything we book for you: crew, kit and travel.
We do
- Find, book and brief the crew, and pay them
- Book kit, travel and hotels too, if you want them
- Send the full price before anything is booked
- One person to call all day
- Employers’ liability for the crew we book, and insurance on kit we hire in
You do
- Run the shoot, or your producer does
- The plan, the schedule and the call sheet
- The location, its permission and its public liability
- Responsibility for the production: you’re the producer of record
What the 2% insures: employers’ liability for every crew member we book, and the kit we hire in for you. Nothing else on the shoot. A large kit rental may need extra insurance, as its own line on the quote.
Full production
We’re the producer of record.
15% + 5% production fee, plus insurance and contingency, on the whole production budget. Quoted as a production.
We do
- Our producer plans it with you and runs the day
- Locations, permits, kit, studio, travel and hotels, booked and paid in our name
- Insurance for the whole shoot, public liability included, plus the risk assessment and the call sheet
- One contract and one invoice, so overseas teams need no UK company
You do
- The creative calls
- Signing off the plan and the budget
What the 5% pays for: our production insurance across the whole shoot, £10m public liability included, and the contingency.
Not sure which you need? If your own producer or director will run the day, it’s crew hire. If you want us to take the production on, it’s a full production quote.
On the day
A day with a 2nd AD, call to wrap
An advert with six cast and twenty background artists in the Northern Quarter. Times are an example; the call sheet sets the real ones.
- 05:30 Cast arrive Signed in and sent to hair, make-up and costume in the order of their first scenes.
- 07:00 Crew call Changes to the call sheet briefed; radios out; the unit base open.
- 07:45 Background Twenty background artists signed in, costume checked, briefed and held near set.
- 08:30 First set-up Cast walked to set as the 1st AD calls them, the next actor already in the chair.
- 12:30 Lunch Called on time, and cast and crew fed in turn so the afternoon starts on time.
- 14:00 The afternoon Progress tracked against the schedule; the 1st warned early if anything is running long.
- 19:00 Wrap Cast and background signed out, times logged, tomorrow’s call sheet out by nine.
The AD team
Which AD do you need?
The assistant directors work as a team. Here’s who does what, and when each is worth booking.
1st AD Runs the set and the schedule Quoted on the brief
Breaks down the script, builds the schedule and runs the floor on the day: when to turn over, when to move on.
Best on drama, adverts and anything with a cast and a tight day.
2nd AD The call sheet, the cast and the base Card £355–448
Feeds the set: call sheets, cast, background and paperwork, from the unit base.
Best alongside a 1st AD on any shoot with a cast.
3rd AD On the floor with the 1st Quoted on the brief
Places background, locks off the public and relays the 1st AD’s calls on the floor.
Best on big units and busy public locations.
Floor runner An extra pair of hands for the ADs Card Up to £245
Runs messages, people and kit for the AD team. See runners in Manchester.
Best on any shoot with background artists.
A producer on the floor Small crews, no cast From £450 a day
On an interview or a corporate shoot, the producer runs the floor. See producers in Manchester.
Best when there’s no cast to move.
What it’s for
What people book a 2nd AD for in Manchester
Adverts with a cast
Actors through make-up and costume, on set when they’re called.
Music videos
Background artists, playback and a long day on one location.
Drama and short films
A schedule, a cast, and a call sheet for every day.
Brand films with contributors
Staff or customers on camera, moved through the day without waiting around.
Studio days
Big units on the stages at Space Studios or MediaCityUK.
Recent work
AD teams on our jobs
Full production · Cornwall · June 2026
An AD on the Cornish cliffs
Our 35mm shoot for AI for Empowerment ran with a 1st AD: a unit spread along cliff paths, a runner in the shot, and days of more than 12 hours on APA overtime.
How we crew it · Manchester
An AD team sized to the cast
A cast of two needs a producer on the floor; a cast of six with background needs a 1st and a 2nd AD; a crowd needs a 3rd and floor runners. We size the AD team to the call sheet, not the other way round.
Before you book
Things to know
The day
- 11 hours, including an hour for lunch.
- Overtime at card rates, agreed with you before it happens.
- Prep days for scheduling are quoted separately.
Cast and background
- Background artists come through an agency or your own casting; the 2nd AD runs them on the day.
- Releases for everyone on camera, signed before they leave.
Paying and changes
- Nothing to pay until you confirm the 2nd AD.
- 50% by card when you book, 50% on receipt of the final rushes.
- Every line on the quote: day rate, booking fee, kit, travel.
- Cancellation terms are on every quote.
What our insurance covers
- Employers’ liability for the 2nd AD we book: £10m.
- Kit we hire in for you is insured. A large kit rental may need extra insurance, as its own line on the quote.
- Nothing else on a crew hire. Public liability, the location and your own kit stay with you, and your venue will want your certificate. When we’re the producer of record, our policy covers the shoot.
From £355 a day
APA/Bectu card: £355–448 a day for a 2nd AD.
| Day rate, 11 hours | £355 |
| Booking fee, 10% | £35.50 |
| Insurance, 2% | £7.10 |
| One day, before travel | £397.60 + VAT |
The 2% is employers’ liability for the 2nd AD we book, and cover on kit we hire in. What it covers
You won’t pay anything until you confirm the 2nd AD.
- Most Manchester bookings confirmed within 48 hours
- 50% by card at booking, 50% on the final rushes
- Our team reads every brief within 2 working hours
Or call us on 07412 543822.
Reviews
What clients say about our crews
Straight from our Google Business Profile.
Book a 2nd AD in Manchester.
Tell us the date, the cast, any background artists and how many set-ups. Our team reads every brief within 2 working hours. Or call us on 07412 543822.
Check availability
The whole crew
Every role in Manchester, booked the same way
One brief, one quote, every role on its own line. Our day rates in Manchester, paid to the crew member in full:
Production 05
- Producer From £450
- Production manager £504–627
- 2nd AD This page £355–448
- Production assistant £400
- Runner £245
Camera 07
- DOP From £850
- Camera operator £529–656
- Focus puller £461–575
- Clapper loader £355–448
- Steadicam operator From £950
- Gimbal operator £529–656
- Drone operator From £750
Data and playback 02
- DIT £527
- Video playback £334–518
Sound 01
- Sound recordist £550
Hair, make-up and costume 02
- Hair and make-up £398
- Costume £519–694
Art department 02
- Art director £675–878
- Set builders £341–512
Post-production 01
- Editor From £350
How our rates work: crew rates in Manchester. Or start from a set-up: interview crews and units in Manchester.
Production support
Everything around the crew
An AD team needs a base, parking and catering. Each gets its own line on the quote, or use the guides to sort them yourself.
Questions
Hiring a 2nd AD in Manchester: questions
How much does a 2nd AD cost in Manchester?
The APA/Bectu card puts a 2nd AD at £355–448 for an 11-hour day, including an hour for lunch, and they’re paid that in full. On top go our 10% booking fee and 2% insurance, so a day starts at £397.60 + VAT.
What does the insurance on a crew booking cover?
Two things. Employers’ liability for every crew member we book, up to £10m, and insurance on the kit we hire in for you. That’s what the 2% pays for. A large kit rental may need extra insurance, as its own line on the quote. The 2% doesn’t insure the rest of the shoot: public liability, the location, your own kit and anything you book yourself stay with you, because you’re the producer of record. If you’d rather we were, it’s quoted as a full production, and our insurance covers the whole shoot, public liability included.
What does a 2nd AD do?
Everything that feeds the set: the call sheet, the cast’s movements through hair, make-up and costume, the background artists, and the paperwork, working to the 1st AD.
What’s the difference between a 1st AD and a 2nd AD?
The 1st AD runs the set and the schedule on the floor. The 2nd AD works behind them, at the unit base, making sure the next actor, the next background and tomorrow’s call sheet are ready.
Do I need an AD team for a corporate shoot?
Usually not. An interview or a corporate film with a few contributors runs fine with a producer on the floor. Book ADs when there’s a cast, background artists or a schedule with no slack.
Who writes the call sheet?
On a shoot with an AD team, the 2nd AD writes it and the 1st AD and the producer sign it off. Without one, the producer does.
How far ahead should I book a 2nd AD in Manchester?
Most Manchester bookings are confirmed within 48 hours. For a cast shoot, book the ADs early: they need prep days to schedule it.