Film crew hire/Brighton/Video playback
Hire a video playback operator in Brighton. A video playback operator puts the camera’s picture on every monitor on set, records each take and plays it back.
People book a video playback operator in Brighton for offices at New England House, conferences at the Brighton Centre and shoots on the seafront. The operator sends the picture to every monitor that needs it, records and replays the takes on QTake, and streams the shoot to a client in the next room or in another country. Our video playback day rate starts at £334, and the operator gets all of it.
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- £10m employers’ liability on every crew member we book
- 2,800+ freelance crew on our books, across the UK
Photos: Here Now Films, Gordon Cowie, Tri Vo, Christian Harb and Tim Broadbent
The role
What a video playback operator does on your shoot
A video playback operator, or VTR, runs the pictures off the camera. They send wireless video to the director, the client, the agency and the focus puller, record every take, and replay any take so everyone can see what was just shot. On bigger shoots they use QTake, which logs, replays and streams every take with the look applied.
Playback keeps people away from the camera. The client watches in comfort at video village, the director can compare takes side by side, and the crew can get on with the next set-up.
We book a video playback operator who lives in Brighton or Hove first. If nobody local is free, or the shoot needs more people, we bring crew down from London. We add the travel to the quote before anything is booked. In Brighton, playback might mean an agency watching an advert in a studio, or a brand’s team in a side room at the Brighton Centre watching the stage interviews as they happen.
- Any take comes back in seconds. The operator logs every take by scene and take number, so they can replay it on the monitor straight away.
- Everyone sees the same picture. The director, the client, the agency and the focus puller each have their own monitor.
- People can watch from another office. A secure stream goes to a client who can’t be on set, a few seconds behind the take.
- The operator can mix and comp on set. They check overlays, split screens and green-screen shots before the crew move on.
What’s included
What the day rate covers
In the day rate
- An 11-hour day, including an hour for lunch
- Wireless video from every camera to every monitor that needs it
- Recording and logging every take
- Instant replay on request
- Setting up and running video village
- A live stream for people off set, if the kit allows
On top, each on its own line
- Our 10% booking fee and 2% insurance, on the whole quote
- The playback kit: QTake system, monitors and transmitters, at a day rate
- A second operator or an assistant, on big multi-camera days
- Travel from London or outside Brighton, and mileage, parking and a suspended bay where the day needs one, at cost
Read how our rates work and the two ways to book in crew rates in Brighton.
Two ways to book
Crew hire or full production
The price depends on who is the producer of record. That’s the company responsible for the shoot. You can book playback for your own shoot, or ask us to run the whole production.
Crew hire
You run the shoot.
10% + 2% booking fee and insurance on everything we book for you, including crew, kit and travel.
We do
- Find, book and brief the crew, and pay them
- Book kit, travel and hotels too, if you want them
- Send the full price before anything is booked
- One person to call all day
- Employers’ liability for the crew we book, and insurance on kit we hire in
You do
- Run the shoot, or your producer does
- The plan, the schedule and the call sheet
- The location, its permission and its public liability
- You’re the producer of record, so the production is your responsibility
The 2% covers employers’ liability for every crew member we book and the kit we hire in for you. It doesn’t cover anything else on the shoot. A large kit rental may need extra insurance, which goes on the quote as its own line.
Full production
We’re the producer of record.
15% + 5% production fee, plus insurance and contingency, on the whole production budget. We quote it as a production.
We do
- Our producer plans it with you and runs the day
- Locations, permits, kit, studio, travel and hotels, booked and paid in our name
- Insurance for the whole shoot, public liability included, plus the risk assessment and the call sheet
- One contract and one invoice, so overseas teams need no UK company
You do
- The creative calls
- Signing off the plan and the budget
The 5% pays for our production insurance across the whole shoot, including £10m public liability, and the contingency.
If your own producer or director will run the day, book crew hire. If you want us to run the production, ask for a full production quote.
On the day
An example day with a playback operator
An advert shot against green screen in a studio in central Brighton, with the agency and the client on set. The brand’s head office is in New York, five hours behind, and watches in the afternoon. The times are an example. The call sheet sets the real ones.
- 07:00 Rig video village The van with the playback kit parks in a suspended bay outside, booked with the council 7 working days ahead. The operator sets up monitors, chairs and a table for the agency and the client, off the studio floor but close enough to talk to the director.
- 08:00 Cameras in Transmitters go on both cameras, the receivers are paired, and the look is applied to the feed.
- 09:00 Rolling The operator records every take and logs it by scene and take number. The director’s choice is marked.
- 11:00 Replay The client asks to see take 4 against take 7, side by side. Thirty seconds later, they can.
- 13:30 Stream check The operator sends the link to head office and checks the picture and sound with them half an hour before they join.
- 14:00 Head office on The brand team joins at the start of their working day, for the set-ups they asked to see live.
- 16:00 Green screen The operator lays a rough key over the background plate, so everyone knows the shot works before the crew move on.
- 19:00 Wrap The operator hands the playback log and the selected takes to the producer and the editor.
We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with Brighton and Hove City Council.
Types
Types of playback we book
A small shoot might need one monitor and a transmitter. A big one might need a full QTake set-up with viewers in another country.
Wireless monitoring A transmitter and a monitor or two Quoted on the brief
The camera team sets up wireless video between the camera and the director’s monitor.
Good for small crews where only the director needs to watch.
Video playback operator Monitors, recording and replay Card £334–518
A dedicated operator brings monitors, records every take and replays it for everyone at video village.
Good for adverts and brand films with an agency or a client on set.
QTake Logging, replay, comps and streaming Quoted with the kit
QTake is the playback software used on most commercials and dramas. It logs every take so it can be replayed, applies the look, makes rough comps and sends a secure stream to people watching from elsewhere. The operator usually brings the system, and it goes on the quote as its own line.
Good for commercials, drama and anything with VFX, such as a green-screen day in a Brighton studio.
Streaming only Watch from somewhere else Quoted on the brief
The operator sends a secure stream of the camera feed to people who can’t be on set, a few seconds behind the take.
Good for overseas clients and head offices that can’t send anyone to Brighton.
What it’s for
What people book video playback for in Brighton
Adverts and fashion on the seafront
Adverts on the beach, Hove Lawns and the piers often have an agency and a client watching, so video village needs a spot out of the wind and away from the public. The Sussex Film Office handles the beach, and the pier’s owner handles the pier.
University and research films
Crews film researchers at the University of Sussex at Falmer and the University of Brighton. Playback lets the department’s team watch each take without crowding the lab.
Conferences at the Brighton Centre
The client’s team watches the keynotes on monitors in a side room, and crews film interviews between the sessions.
Founder and customer films
Many of the city’s tech and games companies work at New England House and round the station. When the people signing off are in London or abroad, the operator streams the shoot to them, timed for their working day.
The Downs and the coast
Crews shoot music videos and adverts at Devil’s Dyke, Ditchling Beacon and Seven Sisters, a long way from mains power. The operator brings batteries for the monitors, and the director compares takes side by side on location.
Recent work
Playback on our crews, and how we crew Brighton
Crew hire · City of London and Uxbridge · September 2025
Playback on all four days, added late
A US production company flew in four of its own crew to shoot customer stories for a chip maker. The shoot was two days at a law firm’s offices on Cannon Street, then two at an office in Uxbridge. We crewed the rest of the unit. Playback was added late in prep. We booked an operator with a playback package, a Teradek and a livestream licence for all four shoot days. In the City the kit went in through the underground car park and up in the lift.
How we crew it · Brighton
Clients watching from London or New York
The fastest trains from London take about an hour, and direct trains run from Victoria, London Bridge and St Pancras. So an agency team can come down for the day, while a head office in New York watches the stream. The operator sends the feed a few seconds behind the take, tests it with the people watching before they join, and logs the selects for anything they miss. We book an operator who lives in Brighton or Hove first. When the brief needs a particular system or operator, we book one from London, with the kit and the travel on the quote before anything is booked. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with National Rail.
Before you book
Things to know
The day
- The day is 11 hours, including an hour for lunch.
- Overtime is paid at card rates, and we agree it with you before it happens.
- Video village is rigged before crew call, so it’s ready when the cameras are.
Kit and the stream
- The playback kit is on its own line: QTake, monitors and transmitters.
- Streaming to people off set needs a solid connection. In a venue or an office block, we ask for a wired line before the day and test it.
On a Brighton street
- Filming on council land in Brighton and Hove, including streets, the beach and parks, goes through the Sussex Film Office. If you want to play a track out loud, say so in the application.
- The Sussex Film Office doesn’t publish its fees, so we ask it for a price and add the permit to the quote. Private places, such as Brighton Palace Pier, need the owner’s permission. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with the Sussex Film Office and Brighton and Hove City Council.
Paying and changes
- You pay nothing until you confirm the operator.
- We take 50% by card when you book and 50% when you receive the final rushes.
- The quote shows every line, including the day rate, booking fee, kit and travel.
- Cancellation terms are on every quote.
What our insurance covers
- Our insurance covers employers’ liability for the operator we book, up to £10m.
- Kit we hire in for you is insured. A large kit rental may need extra insurance, as its own line on the quote.
- On a crew hire, it doesn’t cover anything else. Public liability, the location and your own kit stay with you, and your venue will want to see your certificate. When we’re the producer of record, our policy covers the shoot.
- Private venues usually ask to see it. The Royal Pavilion, for example, asks for at least £10m public liability. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with Brighton and Hove Museums.
£334 a day
APA/Bectu card: £334–518 a day, video operator to senior video operator.
| Day rate, 11 hours | £334 |
| Booking fee, 10% | £33.40 |
| Insurance, 2% | £6.68 |
| One day, before kit and travel | £374.08 + VAT |
The 2% covers employers’ liability for the operator we book and the kit we hire in. What it covers
You won’t pay anything until you confirm the operator.
- 50% by card at booking, 50% on the final rushes
- Our team reads every brief within 2 working hours
- Every line on the quote before anything is booked
Or call us on 07412 543822.
Reviews
What clients say about our crews
These reviews come from our Google Business Profile.
Book a video playback operator in Brighton.
Tell us how many cameras and monitors, who needs to watch, and from which city. Our team reads every brief within 2 working hours. Or call us on 07412 543822.
Check availability
The whole crew
Every crew role we book in Brighton
Send one brief and we send one quote, with every role on its own line. These are our day rates in Brighton, and each crew member gets their full rate:
Production 06
- Director From £500
- Producer From £450
- Production manager £504–627
- 2nd AD £355–448
- Production assistant £400
- Runner £245
Camera 07
- DOP From £850
- Camera operator £529–656
- Focus puller £461–575
- Clapper loader £355–448
- Steadicam operator From £950
- Gimbal operator £529–656
- Drone operator From £750
Data and playback 02
- DIT £527
- Video playback This page £334–518
Sound 01
- Sound recordist £550
Hair, make-up and costume 02
- Hair and make-up £398
- Costume £519–694
Art department 02
- Art director £675–878
- Set builders £341–512
Post-production 01
- Editor From £350
See how our rates work in crew rates in Brighton, or start from one of our crew set-ups in Brighton.
Production support
Everything around the crew
Playback needs power, room for video village and, for people watching off set, a connection the building will give you. The pages below cover kit, permits and travel for the rest of a Brighton shoot.
01
Kit rental
Where to hire camera, lighting and sound kit for a Brighton shoot, and when the crew bring their own.
02
Locations and permits
The Sussex Film Office, private places such as the pier, filming on the beach and the drone rules.
03
Studios and set builds
Studios in Brighton for interviews and product shots, and where to go for a bigger set build.
04
Props and wardrobe
Where props and costume come from, and the stylists and hair and make-up artists we book.
Questions
Questions about hiring a video playback operator in Brighton
How much does a video playback operator cost in Brighton?
Our video playback operators start at £334 for an 11-hour day, including an hour for lunch, and the operator gets all of it. On the APA/Bectu card, a video operator or senior video operator is £334–518. We add our 10% booking fee and 2% insurance, so a day starts at £374.08 + VAT. The playback kit goes on the quote as its own line.
What does the insurance on a crew booking cover?
It covers two things. The first is employers’ liability for every crew member we book, up to £10m. The second is the kit we hire in for you. That’s what the 2% pays for. A large kit rental may need extra insurance, which goes on the quote as its own line. On a crew hire, you’re the producer of record, so public liability, the location, your own kit and anything you book yourself stay with you. If you want us to be the producer of record, we quote it as a full production, and our insurance covers the whole shoot.
What is QTake?
QTake is playback software used on most commercials and dramas. It records and logs every take, replays them straight away, applies the look, makes rough comps and streams the picture to people watching from elsewhere. The operator usually brings it, and it’s priced with the rest of the playback kit.
Can our team abroad watch the Brighton shoot live?
Yes, with a secure stream from the playback system, a few seconds behind the set. We agree which set-ups they need live and time them for their working day. We test the link with them before they join, and log the selects for anything they miss.
Do I need a playback operator?
If only the director needs to watch, a transmitter and a monitor from the camera team is enough. If an agency or a client is on set, or watching from another office or another country, book an operator.
Can playback run at the Brighton Centre or a hotel?
Yes. Video village needs power, a room or a corner off the floor, and a way in for the kit. We send the venue the crew names and the kit list early, and agree power and the room with its event team. If anyone’s watching from elsewhere, we ask for a wired connection.
Can we play music out loud on a Brighton street?
With permission. The Sussex Film Office handles filming on council land in Brighton and Hove, including streets, the beach and parks, so a music video with the track playing goes in the application. It doesn’t publish its fees, so we ask it for a price and add the permit to the quote. Private places, such as Brighton Palace Pier, need the owner’s permission. Check with the Sussex Film Office for the latest.
How far ahead should I book playback in Brighton?
Our team reads every brief within 2 working hours. The date is usually set by the rest of the shoot, such as the studio, the agency’s diary and the location’s permission. For QTake and streaming, leave time before the day to test the kit and the stream with the people watching. A suspended parking bay needs 7 working days’ notice, and a road closure can take up to 12 weeks. Check with Brighton and Hove City Council for the latest.
Are your playback operators from Brighton?
We book playback operators who live in Brighton or Hove first. If the brief or the date needs a particular system or operator, we book one from London, about an hour away by train. We add the kit and the travel to the quote before anything is booked. Our own base is London, at 124 City Road, and we have bases in Manchester, Bristol and Cornwall.