Film crew hire/Brighton/DOP

Hire a DOP in Brighton. A DOP plans and runs the camera and lighting on your shoot.

People book a DOP in Brighton for offices at New England House, conferences at the Brighton Centre and shoots on the seafront. The DOP chooses the camera and lenses, lights each set-up and films it, or runs the camera team that does. Our DOP day rate starts at £850, and the DOP gets all of it.

  • 54 five-star Google reviews
  • 2 hrs for our team to read your brief, in working hours
  • £10m employers’ liability on every crew member we book
  • 2,800+ freelance crew on our books, across the UK
An interview set in a loft with tall windows: the contributor in a chair, two cameras, and a crew member at each
A camera operator beside a 35mm film camera on a clifftop, the director at his shoulder
A wide interview frame in a loft studio: one chair on a grey rug, warm practical lamps and tall arched windows
A cinema camera and monitor framing an interview in a library
The funfair rides at the end of Brighton Palace Pier, against a grey sea and sky

Photos: Here Now Films, Sam McGhee and Ekkanat Sartsoongnern

The role

What a DOP does on your shoot

A DOP (director of photography, or DP) turns the brief into pictures. Before the shoot they agree the look with you or your director, choose the camera, lenses and lights, and check the location for light and power. On the day they light every set-up, frame the shots and run the camera, lighting and grip crew.

We book a DOP who lives in Brighton or Hove first. If nobody local is free, or the shoot needs more people, we bring crew down from London. We add the travel to the quote before anything is booked. Many DOPs bring their own camera. If the film needs more kit, we hire it from a London kit house.

  • You agree the look with the DOP before the shoot. They send reference frames, a lens choice and a lighting plan for you to sign off.
  • The DOP lights the room you have. They balance daylight from the windows with lamps and LED lights so faces look good.
  • The DOP picks the camera for the brief. That’s often a Sony FX6 for an interview day. For an advert it might be an ARRI Alexa, a RED or 35mm film.
  • The DOP briefs the crew early. The gaffer, focus puller and grip know the plan, so each new set-up takes minutes.

What’s included

What the day rate covers

In the day rate

  • An 11-hour day, including an hour for lunch
  • Lighting and framing every set-up
  • The camera, lens and lighting plan, agreed with you before the day
  • Running the camera, lighting and grip crew, if you book one
  • A camera test and white balance at call
  • A rushes check at wrap, before the cards leave set

On top, each on its own line

  • Our 10% booking fee and 2% insurance, on the whole quote
  • Camera, lens and lighting kit, whether it’s the DOP’s own or a kit house’s
  • Recce and prep days, if the shoot needs them
  • Travel from London or outside Brighton, and mileage, parking and a suspended bay where the day needs one, at cost

Read how our rates work and the two ways to book in crew rates in Brighton.

Two ways to book

Crew hire or full production

The price depends on who is the producer of record. That’s the company responsible for the shoot. You can book a DOP for your own shoot, or ask us to run the whole production.

Crew hire

You run the shoot.

10% + 2% booking fee and insurance on everything we book for you, including crew, kit and travel.

We do

  • Find, book and brief the crew, and pay them
  • Book kit, travel and hotels too, if you want them
  • Send the full price before anything is booked
  • One person to call all day
  • Employers’ liability for the crew we book, and insurance on kit we hire in

You do

  • Run the shoot, or your producer does
  • The plan, the schedule and the call sheet
  • The location, its permission and its public liability
  • You’re the producer of record, so the production is your responsibility

The 2% covers employers’ liability for every crew member we book and the kit we hire in for you. It doesn’t cover anything else on the shoot. A large kit rental may need extra insurance, which goes on the quote as its own line.

Full production

We’re the producer of record.

15% + 5% production fee, plus insurance and contingency, on the whole production budget. We quote it as a production.

We do

  • Our producer plans it with you and runs the day
  • Locations, permits, kit, studio, travel and hotels, booked and paid in our name
  • Insurance for the whole shoot, public liability included, plus the risk assessment and the call sheet
  • One contract and one invoice, so overseas teams need no UK company

You do

  • The creative calls
  • Signing off the plan and the budget

The 5% pays for our production insurance across the whole shoot, including £10m public liability, and the contingency.

If your own producer or director will run the day, book crew hire. If you want us to run the production, ask for a full production quote.

On the day

An example day with a DOP

A founder interview in an office at New England House, then B-roll on the seafront. The times are an example. The call sheet sets the real ones.

  • 07:30 Parking The van parks in a suspended bay outside, booked with the council 7 working days ahead. Brighton has no emission charge for vans.
  • 07:45 Security Crew names and the kit list went to the building in advance. The crew collect their passes and take the kit up in the lift.
  • 08:15 Reading the light The DOP walks the room with the gaffer. They check where the sun falls, where the sockets are and which windows need covering.
  • 09:00 First set-up lit The DOP lights the chair with a key light, a fill and a backlight, and lights the office behind so it shows.
  • 09:45 Interviews Two cameras film a wide shot and a close shot. The DOP watches the exposure, the focus and the daylight as it moves.
  • 13:00 Lunch Lunch is an hour. The gaffer resets the room for the afternoon.
  • 14:00 B-roll The crew film people at work, then go down to the seafront with a small handheld kit. Filming on the seafront needs permission from the Sussex Film Office, which handles council land in Brighton and Hove.
  • 18:30 Wrap The crew pack down, check and copy the cards, and load the van.

We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with the Sussex Film Office and Brighton and Hove City Council.

Types

Types of DOP we book

Every DOP lights and films. What changes is the camera, the size of the crew and the kind of film.

Interview and corporate DOP Lit interviews on two cameras From £850 a day

Two-camera interviews, lit so the room looks its best, plus B-roll. The DOP often brings their own Sony FX6 or FX9 kit, which goes on the quote as its own line.

Good for customer stories, founder films and leadership films in offices round Brighton station and New England House.

Documentary DOP Observational, handheld, available light From £850 a day

A documentary DOP reads a room, finds the shot and keeps filming without stopping the action. They work with a shoulder rig, a zoom or a few fast lenses, and they’re used to long days.

Good for branded documentaries and micro-docs. Filming on Brighton’s streets and seafront needs permission from the Sussex Film Office. See filming permits in Brighton.

Commercial DOP Adverts and brand films Card £935–1,561

A commercial DOP designs the look and shoots on an ARRI Alexa 35, Alexa Mini LF or RED V-Raptor with cine lenses. They bring a lighting plan and a camera team of focus puller, loader and grip.

Good for adverts and brand campaigns. The APA/Bectu card applies to commercials.

Film DOP 16mm and 35mm Quoted on the brief

A film DOP shoots on a 35mm or Super 16 package, with a clapper loader. The stock, processing and scan go on the quote. This kind of kit usually comes down from London.

Good when you want the look of film, as on Cohere’s

Studio and product DOP Coves, tabletop and packshots Quoted on the brief

A studio DOP films products on a cove or a tabletop. They use macro lenses and careful lighting so every reflection is under control.

Good for product films and e-commerce, usually in a small studio hired by the day. See film studios in Brighton.

What it’s for

What people book a DOP for in Brighton

Founder and customer films

Offices at New England House and round the station, where many of the city’s tech and games companies work.

Conferences at the Brighton Centre

Crews film the keynotes and record interviews between the sessions.

Adverts and fashion on the seafront

The beach, Hove Lawns and the piers. The Sussex Film Office handles the beach, and the pier’s owner handles the pier.

The Downs and the coast

Devil’s Dyke, Ditchling Beacon and Seven Sisters. Drones need permission from Shoreham’s air traffic control, and from Seven Sisters Country Park over the park.

University and research films

The University of Sussex at Falmer and the University of Brighton.

Recent work

DOPs on our jobs, and how we crew Brighton

Our work · South West England

The Living Layer

A documentary for the South West Peatland Partnership, filmed over a year on the moors of the South West of England. Our own team made it.

How we crew it · Brighton

A DOP who lives locally, or one from London

We start with DOPs who live in Brighton or Hove. If the brief needs a particular look, or nobody local is free that day, we book a DOP from London. Many bring their own camera kit, which goes on the quote as its own line. We add the travel to the quote before anything is booked.

Before you book

Things to know

The day

  • The day is 11 hours, including an hour for lunch.
  • Overtime is paid at card rates, and we agree it with you before it happens.
  • Recce and prep days are quoted separately.

Kit

  • The crew bring their own kit, or we hire it from a kit house. Each piece goes on the quote as its own line.
  • If the DOP’s own kit isn’t enough, we hire camera and lighting packages from London kit houses.
  • Kit we hire in goes on the quote at the same 10% booking fee and 2% insurance as the crew.

Location and travel

  • Travel for a DOP from London or outside Brighton, by train or by road, goes on the quote before anything is booked.
  • Filming on council land in Brighton and Hove, including streets, the beach and parks, goes through the Sussex Film Office. A suspended parking bay needs 7 working days’ notice.
  • Brighton’s low emission zone only covers buses, so there’s no charge for a crew van. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with the Sussex Film Office and Brighton and Hove City Council.

Paying and changes

  • You pay nothing until you confirm the DOP.
  • We take 50% by card when you book and 50% when you receive the final rushes.
  • The quote shows every line, including the day rate, booking fee, kit and travel.
  • Cancellation terms are on every quote.

What our insurance covers

  • Our insurance covers employers’ liability for the DOP we book, up to £10m.
  • Kit we hire in for you is insured. A large kit rental may need extra insurance, as its own line on the quote.
  • On a crew hire, it doesn’t cover anything else. Public liability, the location and your own kit stay with you, and your venue will want to see your certificate. When we’re the producer of record, our policy covers the shoot.
  • Private venues usually ask to see it. The Royal Pavilion, for example, asks for at least £10m public liability. We checked this in November 2026. Fees and rules change, and this page isn’t the official source. For the latest, check with Brighton and Hove Museums.

From £850 a day

APA/Bectu card benchmark: £935–1,561 a day.

Day rate, 11 hours£850
Booking fee, 10%£85
Insurance, 2%£17
One day, before kit and travel£952 + VAT

The 2% covers employers’ liability for the DOP we book and the kit we hire in. What it covers

You won’t pay anything until you confirm the DOP.

  • 50% by card at booking, 50% on the final rushes
  • Our team reads every brief within 2 working hours
  • Every line on the quote before anything is booked

Or call us on 07412 543822.

Reviews

What clients say about our crews

These reviews come from our Google Business Profile.

Top rated
Here Now Films5.0
Based on 54 reviews
Josh Morris
The team at Here Now are exceptional. I've worked with them on a number of projects now and the quality is always outstanding, they are also just an absolute pleasure to work with! They offer creativity, passion and a level of professionalism I've rarely had with other businesses. I'd highly recommend Ed and the team to anyone as their first call for top-tier video production.
Response from the owner:Josh, thanks so much for such a lovely review. It was brilliant working with you and the team, thanks again for having us onboard. We're here when you need us! Ed
Samuel Rollier
Working with the Here Now team on a customer story for Miro in London was an absolute pleasure. They were professional, creative, hyper collaborative, and made the whole process smooth from start to finish. We’re super happy with the result and will definitely be working with them again in the near future!
Response from the owner:Thanks so much for the review Sam and for working with us on the production. You and the whole of the Miro team were great. If you ever need video production in the UK you know where to find us! Till next time.
Simon Hadley
It was a pleasure collaborating with the team at Here Now Films (Ed, Meg, and Ted). They created two videos for our drug and alcohol charity, WithYou in Cornwall, highlighting the recovery journeys of our clients and showcasing the outstanding work our staff does every day. They approached the filming process with sensitivity and empathy, helping our clients and staff feel at ease throughout the shoot. We are thrilled with the final results of both films and would gladly work with the team again in the future.
Response from the owner:Thanks so much Simon. If you ever need another brand film or any thing else, we're here to help. It was a joy working with you guys.
Maxie Harrington
The Here Now Films team helped us conduct a remote shoot in London, from San Francisco. The team made the process as smooth as possible and were an absolute pleasure to work with. I highly recommend their services!
Response from the owner:Thanks so much Maxie! If you ever need a video production company in London, we’re here. Looking forward to the next one.
Victor Cooper
Great team to work with. Helped us with a documentary project. Added helpful creative direction. Met all deadlines. Recommend.
Response from the owner:Thank you so much Victor, it was a pleasure working with you on the recent production. Until the next one!
Colin Eldridge
Great team, allowed us a lot of flexibility in planning our video production around a group of international executives with limited available time, incredibly adaptable with us during post production and series of SME based reviews and live edits.
Response from the owner:Hey Colin, it was a pleasure working with you on these videos. If you ever need us again, just give us a shout.
Robert James
Here Now are professional, creative and a pleasure to work with. The team are well organised, easy to communicate with and delivered an excellent result. Highly recommended.
Response from the owner:Hey Rob, Thanks you so much for the kind words and a huge thanks again for workign with us on the production. If you ever need a film crew in London or any other video production support, just give us a shout! Best, Ed
Matt Dunstan
Here Now Films is always my first call when filming internationally in the UK. This was my second time working with them, and once again, they delivered above and beyond. On our most recent trip, they supported us a phenomenal key production assistant throughout the UK and a great DP in Manchester (a new city for us). They matched the exact camera and lighting kit I use back in the States keeping things consistent for our brand. What really stood out this time was the support from our key PA. He personally ushered me and my U.S.-based DP to every single shoot location throughout the week, and even drove me from London to Manchester. Always on time, if not early, and an excellent driver. I’ve always been uncomfortable driving on the opposite side of the road when traveling internationally, so that accommodation made a huge difference. The first time we worked together in London, they provided a full crew and both shoots ran flawlessly. Communication is always smooth, the team is kind, professional, and incredibly easy to work with. Most importantly, our clients are always happy when they’re involved. Looking forward to many more future projects together. Here Now is truly a go-to partner in the UK!
Response from the owner:Hey Matt, Thanks so much for the kind words. Honestly blown away by the above. If you ever need film crew support or video production assistance across London or the rest of the UK, we're here to help. Hope you and the team have a great end to the year in the USA! Best, Ed
Will Harris
These guys are fab and we will keep working with them in the future
Response from the owner:Thanks a lot Will, next time you need a TV Commercial we’ve got you covered.
Joe Devine
I worked with a crew of four people from Here Now Films for a pilot project. Morgan, the organiser, was very proficient and quick to respond to communications. We met for the first time on the day with a bit of a hazy plan for a tricky shoot, but the crew took it all in their step and the final product was great. Would recommend.
Response from the owner:Thanks so much for the kind words Joe, it was a pleasure working on this with you. If you need us again, we’d be stoked to jump in and help.
A man in a suit mid-answer in a lit interview, a lamp glowing by the window behind him

Book a DOP in Brighton.

Tell us the date, the building or the street, the look you want and the camera you have in mind. Our team reads every brief within 2 working hours. Or call us on 07412 543822.

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Check availability

The whole crew

Every crew role we book in Brighton

Send one brief and we send one quote, with every role on its own line. These are our day rates in Brighton, and each crew member gets their full rate:

Production 06

Camera 07

Data and playback 02

Lighting and grip 03

Sound 01

Hair, make-up and costume 02

Art department 02

Post-production 01

See how our rates work in crew rates in Brighton, or start from one of our crew set-ups in Brighton.

Questions

Questions about hiring a DOP in Brighton

How much does a DOP cost in Brighton?

Our DOPs start at £850 for an 11-hour day, including an hour for lunch, and the DOP gets all of it. The APA/Bectu card for commercials puts a DOP at £935–1,561. We add our 10% booking fee and 2% insurance, so one day comes to £952 + VAT. Kit and any travel from London are extra, and each goes on the quote as its own line.

What does the insurance on a crew booking cover?

It covers two things. The first is employers’ liability for every crew member we book, up to £10m. The second is the kit we hire in for you. That’s what the 2% pays for. A large kit rental may need extra insurance, which goes on the quote as its own line. On a crew hire, you’re the producer of record, so public liability, the location, your own kit and anything you book yourself stay with you. If you want us to be the producer of record, we quote it as a full production, and our insurance covers the whole shoot.

Are your DOPs from Brighton?

We book DOPs who live in Brighton or Hove first. If the brief or the date needs someone else, we book a DOP from London, about an hour away by train. We add the travel to the quote before anything is booked. Our own base is London, at 124 City Road, and we have bases in Manchester, Bristol and Cornwall.

Do your DOPs bring their own camera?

Many do, at a day rate on the quote. For an interview day that’s often a Sony FX6 or FX9 kit. If you need an ARRI Alexa, a RED or a film package, we hire it in with the same 10% + 2%. Bigger packages usually come down from London kit houses.

Can a DOP film on a Brighton street or the beach?

Yes, with permission. The Sussex Film Office handles filming on council land in Brighton and Hove, including streets, the beach, the seafront and parks. It prices each application. Private places, such as Brighton Palace Pier, the Royal Pavilion and Brighton Marina, need the owner’s permission. On a crew hire, the permission is yours. There’s more in filming permits in Brighton. Check with the Sussex Film Office for the latest.

Is there a studio in Brighton for a lit shoot?

Yes. Capture Factory Studios has four studios in central Brighton, five minutes’ walk from the station. Studio 4 has a 13-metre infinity cove, and Studio 7b can be blacked out. They suit lit interviews and product shots. For a big set build, we use studios near London. If we book the studio, it goes on the quote as its own line. Check with the studio for the latest.

How far ahead should I book a DOP in Brighton?

Our team reads every brief within 2 working hours and replies with a DOP and a price. The date usually depends on permission more than crew. A suspended parking bay needs 7 working days’ notice, and a road closure can take up to 12 weeks. Check with Brighton and Hove City Council for the latest.

From£850 a day