An image of Jackson and Carly, a local family in Cornwall, walking on their local beach with their child Noa.

Client: airbnb – Agency: We Are Nomads – Genre: Micro-Documentary

Four films that moved Airbnb’s favourability in Cornwall by +20 points

Airbnb’s favourability in Cornwall had fallen by around 16%. The campaign brief asked for a 5% recovery. Independent polling after the campaign measured a 20% rise — four times the target. These are the four micro-documentaries that did it.

An underwater image of Jake Boax duck diving beneath a wave.

+20%

favourability lift, vs a +5% target

4

micro-documentaries, street-cast in Cornwall

32

film deliverables across four lengths

160

Stills delivered (retouched)

THE BRIEF

A brand problem you could hear in the pub

In 2022, the conversation about tourism and housing in Cornwall was at its sharpest. Airbnb’s favourability in the county had fallen by around 16%. Nomads, the Amsterdam and London-based brand agency, was commissioned to build a hyper-local campaign; print and digital, running only in Cornwall; to tell the other side of the story: the residents whose livelihoods depend on visitors.

Nomads needed a production partner on the ground. Here Now Films is a London-headquartered production company that was founded in Cornwall and still runs a studio there, which is exactly why the call came to us. We won the work in a competitive pitch against another Cornish production company, on the strength of our treatments and our photography bench.

The brief was explicit about one thing: local, real and authentic would trump slick marketing at every decision point. No actors. No scripts. Real residents, found on the street, telling their own stories.

The KPI was equally explicit: lift favourability by 5%.

FINDING THE STORIES

Street casting, done on foot

We spent days street casting in St Ives, Newquay, Falmouth and Bude, building a long list of around twenty real Cornish residents whose lives are genuinely tied to tourism. No casting agency. No actors. Each cast member was compensated with an Airbnb voucher rather than a standard fee, keeping the exchange inside the story the campaign was telling. The amount was far less than even a standard modelling fee and was more a gesture of thanks for their days of work. The brief was explicit about one thing: local, real and authentic would trump slick marketing at every decision point. No actors. No scripts. Real residents, found on the street, telling their own stories.The KPI was equally explicit: lift favourability by 5%.

THE FILMS

Four characters, four relationships with tourism


A FatFace model in the front seat of a Beetle Car parked beside a road in Tenerife, Canary Islands.
The Potter

Jake Boax

The Potter

Jake Boax is a potter who calls the South Coast village of Porthleven home. Over the years he’s seen a steady increase in demand for his art, and has even launched courses through the airbnb experiences app. For Jake, tourism is one of the main drivers of the success of his art.

Jaxon, Carly & Noa: North Coast

The Family

Jaxon and Carly are a young family on Cornwall’s north coast. As they look to buy their first home, hosting on Airbnb is one of the main ways they see themselves affording it, a first-time-buyer story told from inside the housing debate, not outside it

A FatFace model in the front seat of a Beetle Car parked beside a road in Tenerife, Canary Islands.
The Family
A FatFace model in the front seat of a Beetle Car parked beside a road in Tenerife, Canary Islands.
The Painter

Ellen Watson: Central Cornwall

The Painter

Ellen is an artist who moved to Cornwall when she and her husband started their family. She sees tourism differently from those who have always lived here: a balance to be found between sharing Cornwall and protecting it. Hers is the most ambivalent film of the four, deliberately.

Katy Davidson: Newquay

The Oyster Lady

Katy Davidson makes her living renting out the top floor of her Newquay home on Airbnb and running shellfish workshops, taking guests to the harbour, buying from the boats, and teaching them to prepare local produce. For Katy, tourism is everything.

A FatFace model in the front seat of a Beetle Car parked beside a road in Tenerife, Canary Islands.
The Oyster Lady

The production

Four shoots in one week,
everything in-house

Shoot week

Four documentary shoots across Cornwall in the week of 9 May 2022, Porthleven, Portreath, Newquay and central Cornwall. Interview and sequence per character, including in-water sequences shot by our own crew.

Photography

Stills ran alongside every film day, shot by photographer John Hersey. 40 selected stills per character, 160 in total, feeding the print and digital campaign.

Deliverables

Per character: 2-minute, 1-minute, 30-second and 15-second cuts, each in subtitled and clean versions, 32 film deliverables, plus social cutdowns and sub-5MB pre-roll encodes for regional media partners.

Testing & review

First edits went into Airbnb’s creative testing within two weeks of the shoot. Review ran through Frame.io directly with the Airbnb and Nomads teams. The campaign launched in two phases through summer 2022: landscape assets in June, the character films in late July.

Duty of care

The campaign sat inside a contested local debate, so the cast were never left to weather it alone. We ran welfare checks with every cast member after launch, jointly with Nomads and Airbnb, and handled corrections and concerns within hours when they arose.

A local resource

The final films were hosted on a bespoke webpage for over a year. The mini site signposted residents and hosts to resources to help with working sustainable and ethicaly within the local landscape.

THE RESULT

Four times the target

Airbnb commissioned independent polling in Cornwall after the campaign. The numbers came back in November 2022.

−16%

Favourability fall that triggered the campaign

+5%

The KPI set for the campaign

+20%

Measured favourability lift — 4× the goal

A 20-point favourability recovery in a single summer, in the county where the brand’s problem was most acute, built on four residents telling the truth about their own lives.

QUESTIONS

About this project

Who produced Airbnb’s Cornwall campaign films?

Here Now Films produced all four micro-documentaries and campaign photography for Airbnb’s 2022 Cornwall campaign, commissioned through brand agency Nomads. Here Now Films handled casting, production, in-water cinematography, edit, grade and delivery in-house.

What results did the campaign achieve?

Airbnb’s favourability in Cornwall had fallen by around 16% before the campaign. The campaign KPI was a 5% recovery. Post-campaign polling commissioned by Airbnb measured a 20% favourability increase, four times the target.

How was the cast found?

Through street casting. Here Now Films built a longlist of around twenty real Cornish residents across St Ives, Newquay, Falmouth and Bude, no actors, no casting agencies. Four were selected: a potter, a young family, a painter and an oyster seller, each with a different relationship to tourism.

What was delivered?

Four micro-documentaries, each in 2-minute, 1-minute, 30-second and 15-second cuts with subtitled and clean versions — 32 film deliverables — plus 160 campaign stills, social cutdowns and pre-roll encodes for regional media partners.

Can Here Now Films run street casting for other campaigns?

Yes. Street casting and documentary casting of real people is part of our standard production offer, in Cornwall, London and across the UK. The Airbnb campaign was cast entirely on foot by our co-founder over several days.

GET IN TOUCH

A brand problem that needs real people to solve it?

We make documentary-led campaigns built on real residents, real customers and real outcomes, and we measure them. Talk to us about casting, production and what a result like this takes.